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초록

영어

Tanizaki finds white from a physical function-like female body by writing, and he's making peculiar sensuous “woman” = a chart as “white” be formed. But, it's being different in the white aspect depending on the times. Aesthetic is accomplished together with the color of “white” and< tattoo> in the “tattoo” in the Meiji period. Aesthetic is expressed by “white” after all, and the color of “white” is changing to a symbol of a devil-like woman elephant. The white world is asked from a physical function-like body of “Western woman” from the Taisyo period. “White” in the Taisyo period was a Western woman in a word for Tanizaki. But, summing “idiot's love” in in the Taisyo period “white” accomplishes male lust and unity from the second half. A work in Tanizaki's early stage is white as light, but then “Shunkinsho” is the physical function-like world of “white” which blocked light off. An Oriental white outcome is developed by respect to Western female white during a Showa period “Shunkinsho”. The world is “shadow beauty”. If beauty in the woman's surface where he found the color in the darkness through Sasuke and was made in “shadow” is “the best female beauty”, Tanizaki is expressing. Pursuit to Tanizaki's “white” in the Meiji Taisyo period was the world of “white” with the “Western countries”-like extreme color, but the world of “white” which is a Showa period after Kansai move described Tanizaki's Japanese regression, white of “shadow beauty” in other words the Japanese world of “white”. But, it's said that they was making the woman who has a white body as the woman image from three works and worshiped, a common point is seen.

목차

1. はじめに
 2.「刺青」- 官能的な女体＝〈白〉の構造
 3. 大正期の作品を読む
  3-1.「アヹ․マリア」におけるマリアの意味
  3-2.「痴人の愛」─性欲を呼び起こす〈白〉
 4.「春琴抄」─光から遮断された美
 5. おわりに
 参考文献
 논문초록

키워드

Physical function-like white Shadow beauty Western female body Halo Lust Foot 官能的な白 西洋的な女体 陰翳美 円光 性欲 足

저자

• 吉美顕 [ 길미현 | 우송대학교 글로벌 비지니스문화학부 일본어전공 ]

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