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씌어진 역사(history)와 씌어질 역사(herstory)의 변주곡 —핀터의 『재에서 재로』에 나타난 ‘침입자’의 정치성
Variations on History and Herstory: An Invisible Intruder’s Politics in Pinter’s Ashes to Ashes

첫 페이지 보기
  • 발행기관
    21세기영어영문학회 바로가기
  • 간행물
    영어영문학21 KCI 등재 바로가기
  • 통권
    제23권 3호 (2010.09)바로가기
  • 페이지
    pp.5-19
  • 저자
    나희정
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A146134

원문정보

초록

영어
Variations on History and Herstory: An Invisible Intruder’s Politics in Pinter’s Ashes to Ashes Heejung Na (Chonnam National University) The Polish-Jewish playwright, Harold Pinter (1930-2008), was influenced by the traumas of World War II, and the memories of that violence deeply affected his internal landscape. These traumatic memories are not easily transformed into narrative or welded into dramatic prose. These unsettled narratives evolved for over 40 years in Harold Pinter's works. Except his Revue Sketches, Pinter's works consistently introduce various “intruders” in his twenty-nine oeuvres. The amorphous natures of Pinter's intruders are the source of many of his plays' intense dynamics. From absurdist intruders to political intruders, Pinter's plays encompass a wide spectrum of these intruders. Pinter's plays are generally categorized into three stages. The three phases generally agreed upon by critics are: Comedies of Menace (1957-1966), Memory Plays (1967-1982), and Political Plays (1984-2000). In Ashes to Ashes, a Political Play, the intruder is Rebecca's “remembered” Nazi lover, who most probably did not exist. Here, Pinter, engaged in the representation of history and political issues, and chooses to investigate the problems of representing and receiving history, rather than simply assumes that the stage is a proper forum for dispensing historical information, fostering identification, or engendering compassion for the victims of “wrongful” politics and history. The present work is an investigation of the “Invisible Intruder,” who exists solely in the memories of Rebecca and Devlin. In Ashes to Ashes, Pinter interweaves an examination of a difficult personal relationship with public and political issues. By adopting a more malleable view of history, by deforming the conventions of realism, and by not settling the theme of personal reconciliation with the outside world, Pinter ultimately shapes an obscure and political landscape, and thus his play resonates with the audience in ways that are not always easy to identify.

목차

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 인용문헌
 Abstract

키워드

history intruder Ashes to Ashes Political Plays trauma Pinter

저자

  • 나희정 [ Heejung Na | 전남대학교 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    21세기영어영문학회 [The 21st Century Association of English Language and Literature]
  • 설립연도
    1967
  • 분야
    인문학>영어와문학
  • 소개
    영어영문학과 관련된 학술지의 발간, 학술발표회의 개최 및 강좌 개설, 영어영문학 관련 도서 및 자료의 출판, 해외 학술교류 등의 학술연구활동을 수행할 목적으로 설립되었다.

간행물

  • 간행물명
    영어영문학21 [English21]
  • 간기
    계간
  • pISSN
    1738-4052
  • 수록기간
    1967~2025
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 840 DDC 820

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