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戦後から1950年代の日本におけるインダストリアルデザインとデザイナーの職能の確立とその意義について
A Study on the Establishment and Significance of Japanese Industrial Design and Designers’ Profession during 1945-1959

첫 페이지 보기
  • 발행기관
    한국브랜드디자인학회 바로가기
  • 간행물
    브랜드디자인학연구 KCI 등재후보 바로가기
  • 통권
    Vol.7 No.1 통권 제12호 (2009.04)바로가기
  • 페이지
    pp.283-294
  • 저자
    岩田彩子
  • 언어
    일본어(JPN)
  • URL
    https://www.earticle.net/Article/A141783

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원문정보

초록

영어
The history of modern industrial design in Japan started in the postwar period, i.e. since 1945. People in those days expected that industrial design should play an important role in the reconstruction process. The new era was launched by learning advanced technology and thoughts from the western world. The Government implemented many measures including provision of scholarships to foreign countries and invitation of foreign engineers to Japan. As a result, not only advanced western technology related to industrial design but also the culture elements have been transferred to Japan. Among others, those from the United States ‐ an advanced country in industrial design had made the most significant impact. For instance, the organization of Society of Industrial Designers (SID) of the United States was referred to by Japan Industrial Designers’ Association (JIDA) for its establishment. It was not easy for the Japanese people to understand accurately and to accept industrial design that was foreign culture at that time. There was different understanding on industrial design between Japanese designers and ordinary people and most of the designers hardly could practice it. This basic problem had not been solved in 1950s. However, various measures were applied for solving it, which later led to the clear recognition of industrial design and the creation of richer and more serviceable cultural life in Japan.
일본어
近代日本のインダストリアルデザインは戦後の1945年ごろから本格的に始まったと考えられる。戦後の復興にインダストリアルデザインは大きな役割を果たすものと期待されていた。しかしこの時代近代的なインダストリアルデザインはまだ日本に確立しておらず、まずは先進的な技術や思想を学ぶことから始まった。デザイン留学や技術者の招聘など様々な施策[注1]が行われ、欧米の先進的なデザインに関する技術や知識だけではなくその国の文化なども日本に伝えられたが、その中でも特に、アメリカの文化が日本に最も大きな影響を及ぼしたと考えられる。インダストリアルデザインの生まれた地であるアメリカの文化は様々な面から戦後日本に影響を及ぼした。JIDA[注2]もその組織を発足させる際に、アメリカのインダストリアルデザイナー協会(SID)[注3]を参考にした。当時の日本にとっては異文化であったといえるインダストリアルデザインを正確に理解し受け入れることは、簡単なことではなかった。デザイナーと一般の間でインダストリアルデザインに対する認識に相違があったのはもちろん、デザイナー自身もそれを正しく理解し、実践することは容易なことではなかった。これらの問題は1950年代には解決しなかったが、それらの問題解決のために様々な施策で対処したことにより、その後の日本におけるインダストリアルデザインの定着とより豊かで便利な生活文化の構築へとつながったのである。

키워드

Japan Industrial Designers’ Association (JIDA) establishment of modern industrial design 日本インダストリアルデザイナー協会(JIDA) 現代インダストリアルデザインの確立 1945年-1959年 1945-1959

저자

  • 岩田彩子 [ Iwata Ayako | 千葉大学大学院工學硏究科 ] 주저자

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    한국브랜드디자인학회 [Brand Design Association of Korea]
  • 설립연도
    2003
  • 분야
    예술체육>디자인
  • 소개
    브랜드디자인의 학문적, 사회적 발전을 위한 연구,학술단체로서 국가와 기업의 효과적 브랜드구축을 위한 연구,학술발표 및 사회현장에서의 브랜드 및 브랜드디자인의 실질적 사례발굴과 현황을 조사하여 다음과 같은 목적을 수행한다. 1. 브랜드디자인의 학문적 정체성확립 2. 브랜드관련 종사자들의 권익과 지식 자산확보

간행물

  • 간행물명
    브랜드디자인학연구 [A Journal of Brand Design Association of Korea]
  • 간기
    계간
  • pISSN
    1738-0863
  • 수록기간
    2003~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 600 DDC 700

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