Earticle

초록

영어

"Miira no Kuchibeni" is Toshiko Tamra's novel based on her own life when she was writing "Akirame". Its heroine, Minoru and her husband Yoshio spent their life in marriage, continuing conflict and reconciliation between the difference of understanding on literature and poverty. Yoshio wanted his wife to understand the value of his novels even though its bad publicity. On the other hand, Minoru was not satisfied by Yoshio who did not live his art and, she thought she needed to work because of their poverty. The husband and wife fought together because of the men's vanity from husband side and, the women's resolution, which did not let the men defeat. Eventually the battle always ended up with Yoshio beating Minoru or smashing something into her. After the fight, Minoru always cleaned up the mess, concerning about her skinny husband. She did not want to tell him a dissatisfaction. It illustrates the transitional modernity, which men did not want to change their minds and women got used to the convention to become passive in their paradoxical way of lives. Yoshio asked his wife to write a novel and it earned a first prize from a news paper. It helped financially but, Minoru thought the prize was not for her own because her husband forced her to do so. However, it made her building her own world of art. Consequently Toshiko Tamura drew the real conflict in transitional marriage to the modern age. At the same time, she attempted to emphasize the importance of expanding the women's self through Minoru who overcame her difficult situation and got independent.

일본어

『 木乃伊の口紅』は田村俊子が『 あきらめ』を書く当時の生活を素材にした｢私小説｣である。女主人公みのると夫義男は経済的な窮乏と文学的な思考の差で葛藤と和解を繰り返しながら結婚生活を続けて行く。義男はみのるに世の中からは自分の作品の評判が悪くても自分を理解し、経済的にも役に立ってほしいと願っているが、みのるは貧しい生活のために仕事をしなければならないと思いながら、自分の芸術を愛していない義男に不満を持つ。そんな違う感覚で生きている二人が｢女の前にだけ負けまいとする男の見栄え｣と、｢男の前だけは負けないとする意志｣でたたかうと、結局、義男がみのるに暴力をふるったり、物を投げたりして終わる。みのるが自分の意志を見せていると思うと、逆に壊れて散らばった品物を整理しながら不満を吐露するよりはむしろ痩せている義男を心配してしまう。ここには、因習に慣れされている女性たちの受動的な生き方の矛盾が見える、過渡期的な性向だと思われる。 義男が自分たちの生活のためにみのるに書かせた小説が、新聞の懸賞小説の一等に入選し、一時的にではあるが経済的に助かった。みのるはこの入選は、自分の芸術性を生かして書いたのではなく義男の強要によるもので権威がないと思った。しかし、それがきっかけで、夫にかかわらず自分の芸術世界を構築して進むことができた。結果的に『 木乃伊の口紅』には、男女関係の近代化過渡期の結婚生活での矛盾と夫婦間の無理解から来る葛藤がリアルに描かれている。同時に、みのるが難しい環境を乗り越えて自立する過程の感覚的な描写を通して、女性の自我拡充に目指す大変さについての作家俊子の意図が感じられる。

목차

Ⅰ. 서론
 Ⅱ. 두 사람의 결혼생활의 실체
 Ⅲ. 요시오가 원하는 여성상(女性像)
 Ⅳ. 미노루의 자아확충(自我擴充)을 위한 욕구
 Ⅴ. 결론
 参考文献
 <要旨>
 Abstract

키워드

저자

• 이상복 [ 삼육대학교 교수, 일본 근대문학 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  일본학연구 [The Journal of Japanese Studies]

• 간기

  연3회

• pISSN

  1598-737X

• eISSN

  2465-8448

• 수록기간

  1997~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 730 DDC 492