Earticle

초록

영어

In modern society diverse individuals and objects mingle with each other and what was the existing center and new cultural features and systems are coexisting in a various way. The basics of the Western metaphysics, origin, center, presence etc and logo-centrism are denied and what was constructed by them in the inside rather than tradition or word-centrism being destructed from the outside is de-constructed from the bottom or deformed to break the existing stereotype as apparent phenomena. It can be said this deformation is social and cultural phenomena of the flow of the times and fashion is a mirror of the age to reflect a critical mind and social phenomena in the reality and social change is exerting a huge influence on the fashion trend, and the very fashion trend to reflect a number of effects in the overall social and cultural environments is making a effect on fashion makeup design as well. As mentioned above, it can be said that makeup design is a medium to be closely associated with fashion, and is a external artwork where human will and consciousness are expressed and appear including their esthetic values and attitudes. Nevertheless, since there are not enough systematic precedent studies on makeup design in fashion, based on this we are to propose possibilities of new interpretation of makeup design in the fashion show and a variety of expressions to apply deformation of many formative elements, and provided theoretical data of studying total fashion of the future.

목차

ABSTRACT
 Ⅰ. 서론
 Ⅱ. 이론적 배경
  1. 데포르마숑의 개념과 출현배경
  2. 미술에 나타난 데포르마숑
  3. 패션에 나타난 데포르마숑
 Ⅲ. 메이크업디자인의 개념과 데포르마숑 표현특성
  1. 메이크업디자인의 개념
  2. 메이크업디자인의 조형요소
  3. 메이크업디자인에 표현된 데포르마숑의 표현특성
 Ⅳ. 결론
 참고문헌

키워드

저자

• 정승희 [ Seung-Hee Jung | 군산대학교 산업디자인과 ] 교신저자
• 이은희 [ Eun-Hee Lee | 전북과학대학 미용예술계열 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  코리아뷰티디자인학회지 [Journal of the Korea Beauty Design Society]

• 간기

  연3회

• pISSN

  1738-9704

• 수록기간

  2005~2015

• 십진분류

  KDC 593 DDC 646