During the Daehan Empire when Gyeongungung Palace was the center of the national politics, many national symbols were invented and institutionalized. The national symbols of the time did not just remain within the world view of the Chinese civilization/barbarism which took China as the center of the world but they were gradually changed relevant to the world view of International Law based on the interactions among many nations. At that time, many devices representing the changed status of the ruler of Joseon from the king to the emperor were developed and institutionalized. The most prominent example is the construction of Wongudan( 丘壇) where the sacrifice for heaven and the coronation ceremony of the Korean emperor were performed. What is more, in order to represent the newly changed status of Gyeongungung as a main residence for the emperor, new buildings such as Junghwhajeon Hall were constructed and the symbol of sovereignty was also changed from phoenix to twin dragons. While in Geunjeongjeon Hall of Gyeongbokgung Palace, the main residence of Joseon dynasty, a pattern of phoenix had been inscribed as a symbol for sovereignty, however, twin dragons came to be sculptured on the King’s path of the stone steps outside Junghwhajeon and on the ceiling inside the building, which are the symbol only allowed for the emperor. The representation of royal seals(御寶) also changed from the shape of a turtle to that of a dragon, which changes were nevertheless bound to the world view of Chinese civilization/barbarism. At the same time, Joseon began to make diplomatic ties with other countries such as US, UK and Germany and started to feel the need to make national symbols relevant to the relations based on International Law. Therefore, national symbols such as a national flag were invented. The national flag was firstly made in 1883, which was later on used for the visits of diplomatic missions, diplomatic documents and passports representing the Daehan Empire both within Korean peninsula and oversea. The national flag was more frequently employed from the late 1890’s for the march of the Emperor Gojong and Court Banquet within the palace replacing the flag of dragons, the former symbol of sovereignty. Moreover, the national flags were hung all around the city in the festive days such as the Emperor’s Birthday. This frequent use of the national flag as representation of the nation would lead to the formation of a new idea on the nation and the state. The juxtaposition of the traditional and the Western in the institutionalization of national symbols for sovereignty was a strategy of the Daehan Empire to deal with the changes within and outside Korean peninsula.
목차
I. 머리말 II. 국가상징의 제정과 체계 정립 1. 개항과 국기의 제정 2. 국가 상징 체계의 정립 III. 대한제국기의 국기 사용 1. 황제의 거둥 및 황실의 진연에 나타나는 태극기 2. 기념일의 제정과 국기 게양의 확산 IV. 경운궁의 전각과 대한제국기 기념물의 상징 표현 1. 경운궁 전각에 표현된 통치권의 상징 2. 기념물에 표현된 황실 문장 V. 맺음말 참고문헌 ABSTRACT
서울학연구소는 ‘서울학’을 육성, 확산하기 위해 서울 600년을 계기로 하여 1993년 서울특별시의 지원 아래 서울시립대학교 부설로 설립되었습니다.
서울학의 연구대상은 도시 서울입니다.
서울학은 서울의 장소, 사람, 일, 문화를 만들어내고 변화시키는 과정과 힘을 탐구하여 서울이 지닌 도시적 보편성과 특수성을 밝히는 것을 목적으로 합니다. 서울학여느 종합적 관점을 견지하면서 학제적 연구를 지향합니다.
서울에 대한 여러 기성학문 분야(역사학, 지리학, 사회학, 인류학, 경제학, 건축 및 도시계획학등)의 연구관심과 성과가 상호조명되고 교차되는 데에 서울학에 영역이 있습니다.
서울학의 학문적 관심은 오늘의 서울을 만들어낸 역사적 과정을 이해하는 데에 있지만, 그 실천적 관심은 현재의 서울에 대한 심화된 성찰을 통해 보다 나은 서울의 미래를 그리는데에 있습니다.