This paper focuses on the sovereign power of Lyukyu Kingdom(琉球王國) and the symbols of it. The conclusion of this paper is as follows. First, the most important facility for the preservation of sovereign power of Lyukyu Kingdom was the tribute-installation system(朝貢冊封體制) which was one of the universal character in the traditional East Asian society. The installation of the Lyukyu Kingdom's sovereign by the Chinese Emperor was the most indispensable proof for the authority and the power of the Lyukyu Kindom's sovereign. The tribute-installation system between Imperial China and Lyukyu Kingdom had functioned until 1879 when Meiji Japan(明治日本) annexed the latter. Second, the most important shock for the authority and power of the Lyukyu Kingdom's sovereign was the invasion of the Satsmahan(薩摩藩) to the Lyukyu Island and the Satsma's control of the Lyukyu Kingdom. Besides the installation of the Lyukyu Kingdom's sovereign by the Chinese Emperor, the King of Lyukyu had to get the permission from the lord of the Satsmahan since 1609 for the accession to the throne following the passing of the king. King Sangpoong(尙豊王) of Lyukyu Kingdom was the first one who got the permission of the Satsmahan for the accession to the throne. Third, what were the internal or foreign symbols and facilities for the king of Lyukyu? The visit of the Imperial ship from the China to Lukyu Island, the royal seal and, royal costume granted by the Chinese emperor were ones of the important foreign symbols and facilities for the authority and power of the Lyukyu Kingdom's sovereign. That kind of imperial messenger's visit to Lyukyu Kingdom, imperial granting of the royal seal and royal costume had been continued even after Satsmahan's invasion to the Lyukyu Kingdom in 1609. Besides those facilities and symbols there were internal symbols and facilities for the royal symbols and facilities of Lyukyu. For example, the royal castle(首里城) and the main pavillion(正殿) of the palaces in Naha of Lyukyu Kingdom, the royal tombs(玉陵), the female shamans(神女) who stayed at royal palace, Confucianism, the sacred paintings(日輪雙鳳雲文), the three sided circle(三巴紋) are some of the salient examples which has its own special history.
목차
I. 머리말 II. 琉球의 왕권과 대항해시대의 琉球 1. 책봉체제하 琉球의 왕권 2. 대항해시대 동남아무역과 琉球 III. 양속관계하 琉球의 왕권과 일본의 관계 1. 임진패란 이후 琉球와 灌摩潘 2. 琉球사절의 江戶 파견과 막부 IV. 琉球의 왕권과 그의 상징물 1. 유교와 왕권의 관계 2. 왕권의 상징물과 삼파문 V. 맺음말 참고도서 논문초록
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.