光武ㆍ明治시기 兩京체제 추진과 君主이미지 활용 비교연구
A comparative Study between The Promotion of Two Capital System and The Use of Royal Portrait During The Kwang-mu(光武) and Mei-ji(明治) Period 광무ㆍ명치시기 양경체제 추진과 군주이미지 활용 비교연구
unofficially, The emperor Kojong started to build Western capital in pyongyang by appointing jung-sin, kim(金鼎植) as inspector of sanhwa(三和) In July 1901. Right after the appeach of kwu-hong, kim(金奎弘), The emperor Kojong pronounced the establishment of Two capital system. in order to make pyongyang into Western capital, The emperor Kojong build new palace in pyongyang. the name of pyongyang palace was Poongkyung-palace(豐慶宮). it was very similar case in mei-ji japan. historically in joseon dynasty, any attempt to establish Two capital system were harshly criticised. therefore there was no success in establishment of Two capital system during joseon dynasty. so The emperor Kojong should make big effort in order to succeed in establishment of Two capital system. The emperor Kojong used his own portrait to justify his attempt to make pyongyang into Western capital. because in late joseon dynasty, it was royal custom to draw king's portrait every ten years. The emperor Kojong could not draw his portrait for thirty years because of national difficulty. so when The emperor Kojong ordered to draw his portrait in November 1901, nobody could disagree with The emperor Kojong's order. after all, the portraits of The emperor Kojong were finished in 1902. and one portrait of The emperor Kojong was enshrined Poongkyung-palace(豐慶宮). in 1902. by this portrait, The emperor Kojong could succeed in establishment of Two capital system during his ruling period. the other hand, The emperor mei-ji used portrait photograph.
목차
I. 머리말 II. 光武·明治시기 兩京체제 추진과 반발 III. 光武·明治시기 전통어진과 초상사진 제작 IV. 光武·明治시기 兩京과 君主이미지 활용 비교 V. 맺음말 참고문헌 논문초록
키워드
Two capital systemKwang-mu periodMei-ji PeriodRoyal portraitportrait photograph兩京體制光武時期明治時期御眞肖像 寫眞
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.