Earticle

초록

영어

The space in which the drama takes place will, as the story or drama text is created, come to represent the location of the drama. It is important that readers are encouraged to develop the imaginative flexibility to exploit the drama space and the objects it contains in order to extend and deepen the reality of the drama. The place within dramas always reflects a certain perspective on reality and the human. In this study I try to research the space within Scandinavian plays after Henrik Ibsen and contemporary Swedish dramatist August
Strindberg. The space for Ibsen's and Strindberg's drama to take place was the drawing room. But the contemporary plays in the Scandinavian countries moves onto completely different ground, away from the drawing room and out into the streets or the landscapes, that
is out into a bigger and more open space. The drama space is carefully marked out into different locations or times in the play. In Scandinavian dramas, the space is the very important element of choice that constitutes the dynamic of change and development. It arises from the conflicting demands of two (or more) desires, ideas or needs and engenders the need for decision. A
key space in the Scandinavian plays such as a particular room or landscape constitutes a framework around the character as an active dramatic element. In doing this, the space contribute to maintaining the focus of the story as it develops in the drama.

목차

1. 들어가기
 2. 북유럽 희곡에 나타나는 공간적 특성
  2.1 공간에 대한 인식
  2.2 북유럽 희곡의 전통과 공간의 의미
  2.3 공간을 위한 투쟁
 3. 공간 속에 살아 숨 쉬는 존재들
  3.1 등장인물의 유형
  3.2 생존을 위한 등장인물들의 몸부림
 4. 북유럽 희곡에 나타나는 다섯 개 타입의 공간
 5. 나가며
 참고문헌
 Abstract

키워드

저자

• 홍재웅 [ Jai-Ung Hong | 한국외국어대 스칸디나비아어과 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  스칸디나비아 연구 [Journal of the Scandinavian Society of Korea]

• 간기

  반년간

• pISSN

  1229-8646

• 수록기간

  2000~2020

• 십진분류

  KDC 923 DDC 948