A Study on A Mirage: Focus on Use of Painting Techniques Noh, Young-Sook Published the March 1927 issue of the magazine Huzinkouron, Akutagawa Ryunosuke's work, A Mirage, reflects the author's mental state immediately before his death. Akutagawa had been absorbed in experimenting with new, creative ways of literary writing, which culminated in this particular work. The writer presents descriptions of strolls on the beach where mirages are actually witnessed. The first part handles, in a chronological order, trivial episodes that are experienced during the day, whereas the second one is concerned with those that occur at night. Owing to such a simple composition, the work appears to be monotonous, yet is full of mental melancholy. The protagonist knows that his dream to be a true artist is only ephemeral like a mirage, but cannot yet forsake his dream. The unfulfilled dream turns the protagonist into an abnormal being who is under illusion in every part of his daily life. This is expressed in one episode after another, and the seriousness of the protagonist's condition is succinctly epitomized in the short last sentence, “I'm now standing in front of the door half open” after a stroll on the beach. In this study, the characteristics of Akutagawa's work are analyzed using painting techniques. First, the multidimensional composition of the work is examined. Then unique expressions of the writer are investigated. The study concludes with a graphic completion of A Mirage.
목차
I. 서론 II. 본론 1. 『話らしい話のない小說』과 미술의 접목 2. 『蜃氣類』의 구성 2.1. 평면 구성 2.2. 심층 구성 3. 표현의 특징과 조형미술의 효과 III. 결론 참고문헌 [논문초록]
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.