This paper aims to examine the development of Culture Villages in Eastern Keijyo(Seoul) during the Japanese colonial period. The number of population increases rapidly, the area of Seoul enlarged and the influx of foreign house culture into Korea occurred in earnest with the concept of Culture House in the 1920s. The 'Big Keijyo' project began to make a progress in eastern Keijyo. In addition, people could have a lot of experience on foreign culture and get the latest fashion through exhibitions, department stores and mass media. The concept of Culture House flowed into Korea under the rule of Japanese Imperialism. Culture houses were introduced as "Ideal House" and "Brand-New House" though media like magazines and newspaper. Exhibitions such as the 1922 Culture House Drawing Exhibition and the Culture House Display in the 1929 Joseon Exposition were held in Seoul and introduced people what was a Culture House. Many Culture Houses were erected with Culture Village developments named "Suburbs" around the boundary of Seoul. Culture Villages were planned into the high-class residential area, providing piped water, gas, and roads and went up for sale at a high price and introduced as "Ideal Residential Area" and "Love Nest". The first Culture Village was developed in the part of Eastern Keijyo and it was a start to make a boom for the development of Culture Villages around Keijyo. Culture Villages changed the image of Eastern Keijyo. There were a lot of mud huts and graves before developing Culture Villages in Eastern Keijyo. Culture Villages having brand-names like such-and-such 'garden', 'villa', 'height', 'hill' or 'village', however, were developed and came into the spotlight and introduced as fascinating places for the high-class. But the poor quarters had to be cleared away to make "Ideal Residential Area". The poor people had to be deprived of living space and expel from the city. Sakuragaoka, one of Culture Villages in eastern Keijyo, was made as a Ideal City before the expansion of the city limits in the late 1930s and an example for the subsequent residential area around the city. Eventually, Culture Villages began as an experiment stand for Japanese with the background of the reality of a colony. The concept of Culture House, having the social power and novelty, showed a dark turn of a colony and left the independent image of house on Korean people while it had a disproportionately large impact on changes of Korean urban housing. In the amid of the change, there was Eastern Keijyo.
목차
I. 서론 II. '大京城'의 이상과 '東部發展策' III. '문화주택'과 '문화주택지' 개발 1. '문화주택'의 유행 2. '문화주택지'의 개발 IV. 경성 동부의 문화주택지 개발 1. 경성 동부 문화주택지 개발의 시작과 전개 2. 경성 동부의 장소적 이미지의 변화 및 충돌 V. 결론 참고문헌 ABSTRACT
서울학연구소는 ‘서울학’을 육성, 확산하기 위해 서울 600년을 계기로 하여 1993년 서울특별시의 지원 아래 서울시립대학교 부설로 설립되었습니다.
서울학의 연구대상은 도시 서울입니다.
서울학은 서울의 장소, 사람, 일, 문화를 만들어내고 변화시키는 과정과 힘을 탐구하여 서울이 지닌 도시적 보편성과 특수성을 밝히는 것을 목적으로 합니다. 서울학여느 종합적 관점을 견지하면서 학제적 연구를 지향합니다.
서울에 대한 여러 기성학문 분야(역사학, 지리학, 사회학, 인류학, 경제학, 건축 및 도시계획학등)의 연구관심과 성과가 상호조명되고 교차되는 데에 서울학에 영역이 있습니다.
서울학의 학문적 관심은 오늘의 서울을 만들어낸 역사적 과정을 이해하는 데에 있지만, 그 실천적 관심은 현재의 서울에 대한 심화된 성찰을 통해 보다 나은 서울의 미래를 그리는데에 있습니다.