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<색│계>에 나타난 젠더와 내셔널리즘 연구
A Study of the Gender and Nationalism in <Lust│Caution>

첫 페이지 보기
  • 발행기관
    중앙어문학회 바로가기
  • 간행물
    어문논집 KCI 등재후보 바로가기
  • 통권
    제39집 (2008.09)바로가기
  • 페이지
    pp.161-189
  • 저자
    박명진, 심우일
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A107018

※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.

원문정보

초록

영어
The aim of this paper is to analyze the gender and nationalism in 〈Lust│Caution〉 which was directed by Lee An in the year of 2007. 〈Lust│Caution〉 is the adapted film from an original fiction 〈Lust│Caution〉(色, 戒) written by Chang Eileen(張愛玲) Chang Eileen was a female writer who played an active part mainly in Shanghai in the 1930's. In an original fiction 〈Lust│Caution〉, she described the fatal love above and beyond the nation and state. The movie's tragic heroine, Wong Chia Chi (played by Tang Wei 湯唯), pull a badger game in order to assassinate Mr. Yee (played by Tony Leung 梁朝偉), who was a high-ranking official of the pro-Japanese group. Wong Chia Chi, college woman disguised herself as Mrs. Mak and approached Mr. Yee. However, she was swayed by sexual sentiment to Mr. Yee, neglecting her special mission of assassinating him, one of the pro-Japanese group. At last, she delivered Mr. Yee out of danger, on this account, she herself and her hit team were arrested and then killed. Chinese audiences leveled criticism at 〈Lust│Caution〉 on the ground that this film damaged the history of the struggle against Japan's imperialism and hurt the Chinese's national pride. The Chinese audiences called all of them, the hero Lee An, heroine Wong Chia Chi, and writer Chang Eileen, down as traitors. The Chinese became angry because 〈Lust│Caution〉 valued the gender and sexuality of women above nation or state. On the other hand, Korean audiences regarded this film as an art film. They lavished praise on the dramatic interpretation of the movie director, and on the acting ability of Tang Wei and Tony Leung Chiu-Wai, and on the fatal love story. Unlike Chinese audiences, Korean audiences appreciated this film freely, breaking from the closed and exclusive nationalism. China is now pursuing great-power chauvinism. Chinese audiences understanded 〈Lust│Caution〉 as making a fool of the great-power chauvinism. In China this film was appreciated only as nationalism. On the contrary, Korean audiences took the affirmative standpoint about the gender and sexuality of female in 〈Lust│Caution〉 amicably. 〈Lust│Caution〉 is the film that operates as a very important media in constructing the identity of nation, state, race, gender.

목차

1. 머리말
 2. 사진 보기, 소설 보기, 또는 번역이라는 정치학
 3. 모반(謀叛)으로서의 연극, <전쟁과 혁명│연애와일상>
 4. 몸짓 기호로서의 섹스, 떨칠 수 없는 민족의 그림자
 5. 텍스트로서의 대중-영화 해석의 중층성
 6. 맺음말
 참고문헌
 Abstract

키워드

gender nationalism <Lust│Caution> audience chauvinism

저자

  • 박명진 [ Park, Myeong-jin | 중앙대학교 국어국문학과 교수 ]
  • 심우일 [ Shim, Woo-il | 중앙대학교 국어국문학과 석사과정 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    중앙어문학회 [The Society of Chung-Ang Language & Literature]
  • 설립연도
    1993
  • 분야
    인문학>한국어와문학
  • 소개
    국어국문학의 연구를 통하여 국어국문학의 발전에 기여하고 국어국문학의 학풍을 진작함에 있다. 이에, 국어국문학 연구 자료의 조사/수집/정리 및 연구 결과의 평가와 편집을 하고, 전국 학회 규모의 연구 발표회와 각 분과별 세미나의 개최를 연 4회 한다. 또한 <어문론집>(현재 32집 발간)과 연구물의 간행한다. 더불어 국내외 연구 단체와의 제휴도 그 목적이 있다.

간행물

  • 간행물명
    어문논집 [The Journal of Language & Literature]
  • 간기
    연3회
  • pISSN
    1229-6406
  • 수록기간
    1960~2015
  • 십진분류
    KDC 710 DDC 492

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