년 - 년
전자정보 산업의 연구개발 투자가 한국의 문화와 경제성장에 미친 영향에 관한 연구
[NRF 연계] 한국문화산업학회 문화산업연구 Vol.10 No.1 2010.06 pp.48-61
...industry to Korean culture and economic growth. This study used growth accounting approach and the Cobb-Douglas production function under the neo-classical growth theory as the analytical model. The results of this analysis empirically proved that research investment of electronic & information industry have made a contribution to culture and economic growth in Korea. Finally, this research suggested that the appropriate alternatives of research fund allocation in aspect of effectiveness.
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The purpose of this study is to prove the importance of research investment by measuring and analyzing the contribution of research investment of electronic & information industry to Korean culture and economic growth. This study used growth accounting approach and the Cobb-Douglas production function under the neo-classical growth theory as the analytical model. The results of this analysis empirically proved that research investment of electronic & information industry have made a contribution to culture and economic growth in Korea. Finally, this research suggested that the appropriate alternatives of research fund allocation in aspect of effectiveness.
글로벌 문화콘텐츠 산업자원으로서 몽골 3대 영웅서사시의 활용 가치에 대한 연구
[NRF 연계] 한국언어문화학회 한국언어문화 Vol.48 2012.08 pp.5-37
...culture means universal original form of culture to arouse sympathy with a citizen of the world. The information-oriented society has been much progress. And, The differences between nation and nation seem to have blurred. In accordance with these situations, In the cultural contents industry, Contents producers in each nation explore to universal original form based on novelty planning ability and capital. Cultural-contents uses various media like broadcasting, movie, animation, record, and so on. This word designates cultural&artistic contents by production, distribution, possession for the general people. It has a cultural factor implying the history, classics, lifestyle, values, etc. Cultural-contents blend such cultural factor, creative planning and cultural technique. In sequence, Create the valuable cultural product. Therefore, the point of contents is discovering fresh original form of culture. This paper is a study about the value of a global culture contents of Mongolia's 3 heroic epics <Geser>, <Djangar>, <Behind story of Mongolia>. The heroic epic is formed by the custom, and faith in the region including a view of the world, literature, living and ideological elements. And it has lengthy narrative like hero's life story and adventure story, it is cultural property that has a compacted readers in recognition of their own academic and literary value and it is an important property of culture contents industry that is a universal cultural prototype items such as movies, games, animation can feel sympathize in the world for a long time. Culture contents industry develops product satisfied appetite of consumers, it is the heroic epic that is creative commercialization mater create a high-value product. in this respect, this paper is focused on value for creating products of Mongolia's 3 heroic epics. It isn't our Cultural Properties, but It is the Intangible Cultural Heritage of Humanity that recognized humanity properties, shared humanity. This point means new value of the Mongol hero-epic. Using this point, Overcome limits of a domestic, and, pick chance to exploitation of a new market.
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The creation material of global culture means universal original form of culture to arouse sympathy with a citizen of the world. The information-oriented society has been much progress. And, The differences between nation and nation seem to have blurred. In accordance with these situations, In the cultural contents industry, Contents producers in each nation explore to universal original form based on novelty planning ability and capital. Cultural-contents uses various media like broadcasting, movie, animation, record, and so on. This word designates cultural&artistic contents by production, distribution, possession for the general people. It has a cultural factor implying the history, classics, lifestyle, values, etc. Cultural-contents blend such cultural factor, creative planning and cultural technique. In sequence, Create the valuable cultural product. Therefore, the point of contents is discovering fresh original form of culture. This paper is a study about the value of a global culture contents of Mongolia's 3 heroic epics <Geser>, <Djangar>, <Behind story of Mongolia>. The heroic epic is formed by the custom, and faith in the region including a view of the world, literature, living and ideological elements. And it has lengthy narrative like hero's life story and adventure story, it is cultural property that has a compacted readers in recognition of their own academic and literary value and it is an important property of culture contents industry that is a universal cultural prototype items such as movies, games, animation can feel sympathize in the world for a long time. Culture contents industry develops product satisfied appetite of consumers, it is the heroic epic that is creative commercialization mater create a high-value product. in this respect, this paper is focused on value for creating products of Mongolia's 3 heroic epics. It isn't our Cultural Properties, but It is the Intangible Cultural Heritage of Humanity that recognized humanity properties, shared humanity. This point means new value of the Mongol hero-epic. Using this point, Overcome limits of a domestic, and, pick chance to exploitation of a new market.
무전기에서 라디오로 – 전자 기술 문화와 반도체 산업 발단의 착종사
[NRF 연계] 한국과학사학회 한국과학사학회지 Vol.43 No.3 2021.12 pp.557-600
...culture provided the historical context for the development of formal R&D and industry. During the turmoil of the series of wars in the 1940-50s, military supplies released from the United States’ military camps to major popular markets and radio repairshops to the technological culture of amateur radio activity were dismantled, distributed, and reassembled. This paper approaches such an informal process of technology introduction as an entangled history constructed through interactions between amateur and expert, non-institutional and institutional activities, and culture and industry. This approach will shed light on the existing notions of R&D, innovation, and localization in South Korea’s history of science and technology as historical constructs from such entanglement.
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Most mainstream historical accounts of South Korea’s technological development have portrayed the 1970s as the period when the ‘seed’ of high-tech industries such as semiconductors was sown in its ground. This paper challenges this notion by asking how the soil for budding high-tech industries was prepared not only formally but informally. It aims to reveal the process through which the now-invisible but broad technological culture provided the historical context for the development of formal R&D and industry. During the turmoil of the series of wars in the 1940-50s, military supplies released from the United States’ military camps to major popular markets and radio repairshops to the technological culture of amateur radio activity were dismantled, distributed, and reassembled. This paper approaches such an informal process of technology introduction as an entangled history constructed through interactions between amateur and expert, non-institutional and institutional activities, and culture and industry. This approach will shed light on the existing notions of R&D, innovation, and localization in South Korea’s history of science and technology as historical constructs from such entanglement.
사회적경제기반 사회적 기업 사례 연구 -전통문화⋅관광산업을 중심으로-
[NRF 연계] 한국사진지리학회 한국사진지리학회지 Vol.30 No.1 2020.03 pp.147-161
...culture and tourism sectors. The following are examples of social enterprise operations in this field. The six cases of traditional dyeing craft, traditional resort, fusion traditional band, city-wide museum, plain scenery and local traditional house ritual experience were analyzed. In particular, the experience of local traditional house ritual experience will be a community base for social enterprises through the revitalization of traditional culture and tourism and the spread of Korean food with the connection of local and social enterprises, and will be able to contribute to the development of the local economy. In conclusion, this study is meaningful in that it analyzed the best examples of traditional culture and tourism industries of social economy-based social enterprises and presented policy direction based on them.
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이 연구는 사회적경제기반 사회적 기업에 대한 다양한 사례를 분석하고자 한다. 전통문화⋅관광산업 분야와관련된 사회적 기업들의 인증요건, 운영현황, 운영특성에 있어 이해관계자에게는 제한적이며 경쟁적 일 수 있다. 이분야의 사회적 기업 운영사례를 살펴보면 다음과 같다. 전통염색공예, 전통리조트, 퓨전국악밴드, 도시전체박물관, 소박한풍경, 지역고택제례체험의 6가지 사례를 분석하였다. 특히 지역고택제례체험은 전통문화 관광활성화와 한식의확산에 지역과 사회적 기업과의 연계로 사회적 기업이 공동체 기반이 되며, 지역경제 발전에 기여할 수 있을 것이다. 결론적으로 본 연구는 사회적경제기반 사회적 기업의 전통문화⋅관광산업의 우수사례를 분석하고 이를 바탕으로 정책적 추진방향을 제시하였다는 점에서 그 의의가 있다.
The study is to analyze various cases of social economy-based social enterprises. It can be limited and competitive to stakeholders in terms of certification requirements, operational status and operational characteristics of social enterprises related to traditional culture and tourism sectors. The following are examples of social enterprise operations in this field. The six cases of traditional dyeing craft, traditional resort, fusion traditional band, city-wide museum, plain scenery and local traditional house ritual experience were analyzed. In particular, the experience of local traditional house ritual experience will be a community base for social enterprises through the revitalization of traditional culture and tourism and the spread of Korean food with the connection of local and social enterprises, and will be able to contribute to the development of the local economy. In conclusion, this study is meaningful in that it analyzed the best examples of traditional culture and tourism industries of social economy-based social enterprises and presented policy direction based on them.
안전사각지대 인식과 아차사고 보고문화 간의 관계 분석에 관한 연구 - 전력산업 중심으로 -
[NRF 연계] 사단법인 안전문화포럼 안전문화연구 Vol.52 2026.03 pp.261-275
...culture in industrial settings and to empirically investigate the mediating role of negative perceptions toward near-miss reporting in this relationship. Industrial accidents should be understood not merely as the result of individual errors or random events, but rather as structural outcomes arising from accumulated management gaps and distorted risk perceptions, despite the formal existence of safety regulations and procedures. From this perspective, this study focuses on the relationship between safety blind spots?areas where risks remain insufficiently recognized and controlled prior to accidents?and near-miss reporting culture. To achieve this objective, a questionnaire survey was conducted among workers in the electric power industry, and a total of 700 valid responses were used for analysis. The collected data were analyzed using SPSS Statistics 26.0 and R 4.5.1. After verifying the internal consistency of the measurement instruments through reliability analysis, descriptive statistics, correlation analysis, regression analysis, and regression-based mediation analysis were conducted to examine the relationships among the variables. As a cross-sectional study based on self-reported data collected at a single point in time, the analysis emphasizes associations among variables rather than causal inference. The results indicate that perceived safety blind spots have a significant negative effect on near-miss reporting culture; higher levels of perceived safety blind spots were associated with a weaker reporting culture. In addition, perceived safety blind spots significantly increased negative perceptions toward near-miss reporting. The mediation analysis further revealed that negative perceptions toward near-miss reporting play a partial mediating role in the relationship between perceived safety blind spots and near-miss reporting culture, indicating that the effect of safety blind spots on reporting culture is partly transmitted through this perceptual pathway. In conclusion, this study empirically demonstrates that the deterioration of near-miss reporting culture cannot be explained solely by individual attitudes but should instead be understood as a structural issue resulting from the combination of perceived safety management gaps in the workplace and negative perceptions toward reporting. These findings suggest that preventing industrial accidents requires moving beyond reactive approaches focused on post-accident responses toward a preventive safety management system that identifies and addresses safety blind spots at an early stage and ensures that near-miss reporting contributes to organizational learning and safety improvement.
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본 연구의 목적은 산업현장에서 근로자가 체감하는 안전사각지대 인식이 아차사고 보고문화에 미치는 영향을 분석하고, 이 과정에서 아차사고 보고에 대한 부정적 인식이 어떠한 매개 역할을 수행하는지를 실증적으로 규명하는 데 있다. 산업재해는 단일한 실수나 우발적 사건의 결과라기보다 제도와 규정은 존재하지만 실제 현장에서 충분히 작동하지 않는 관리 공백과 인식 왜곡이 누적된 구조적 문제로 이해될 필요가 있다. 이러한 맥락에서 본 연구는 사고 발생 이전 단계에서 위험이 잠재·누적되는 안전사각지대와 아차사고 보고문화 간의 관계에 주목하였다. 이를 위해 전력산업 현장에 종사하는 근로자를 대상으로 설문조사를 실시하였으며 총 700부의 유효 응답을 분석에 활용하였다. 수집된 자료는 SPSS Statistics 26.0과 R 4.5.1을 활용하여 신뢰도 분석을 통해 측정 도구의 내적 일관성을 검증한 후 기술통계 분석, 상관분석, 회귀분석 및 회귀 기반 매개효과 분석을 통해 변수 간 관계를 검증하였다. 본 연구는 단일 시점에서 수집된 자기보고식 자료를 활용한 횡단적 연구로서 인과관계보다는 변수 간 구조적 관계에 초점을 두고 해석하였다. 분석 결과 안전사각지대 인식은 아차사고 보고문화에 유의한 부적 영향을 미치는 것으로 나타났으며 안전사각지대 인식 수준이 높을수록 보고문화는 통계적으로 유의하게 약화되는 경향을 보였다. 또한 안전사각지대 인식은 아차사고 보고에 대한 부정적 인식을 유의하게 증가시키는 요인으로 확인되었다. 매개효과 분석 결과 아차사고 보고에 대한 부정적 인식은 안전사각지대 인식과 아차사고 보고문화 간의 관계에서 부분매개(partial mediation) 역할을 하는 핵심 변수로 확인되었으며, 안전사각지대가 보고문화에 미치는 영향의 상당 부분이 이러한 인식 경로를 통해 설명되었다. 결론적으로 본 연구는 아차사고 보고문화의 저해 요인이 개인의 소극적 태도에 국한되지 않으며 현장에서 체감되는 안전관리 공백과 보고에 대한 부정적 인식이 결합된 구조적 문제임을 실증적으로 제시하였다. 이는 산업재해 예방을 위해 사고 이후의 사후 대응 중심 접근을 넘어 안전사각지대를 조기에 식별·해소하고 아차사고 보고가 실질적인 개선으로 이어지는 예방 중심의 안전관리 체계 구축이 필요함을 시사한다.
The purpose of this study is to examine the effect of workers’ perceived safety blind spots on near-miss reporting culture in industrial settings and to empirically investigate the mediating role of negative perceptions toward near-miss reporting in this relationship. Industrial accidents should be understood not merely as the result of individual errors or random events, but rather as structural outcomes arising from accumulated management gaps and distorted risk perceptions, despite the formal existence of safety regulations and procedures. From this perspective, this study focuses on the relationship between safety blind spots?areas where risks remain insufficiently recognized and controlled prior to accidents?and near-miss reporting culture. To achieve this objective, a questionnaire survey was conducted among workers in the electric power industry, and a total of 700 valid responses were used for analysis. The collected data were analyzed using SPSS Statistics 26.0 and R 4.5.1. After verifying the internal consistency of the measurement instruments through reliability analysis, descriptive statistics, correlation analysis, regression analysis, and regression-based mediation analysis were conducted to examine the relationships among the variables. As a cross-sectional study based on self-reported data collected at a single point in time, the analysis emphasizes associations among variables rather than causal inference. The results indicate that perceived safety blind spots have a significant negative effect on near-miss reporting culture; higher levels of perceived safety blind spots were associated with a weaker reporting culture. In addition, perceived safety blind spots significantly increased negative perceptions toward near-miss reporting. The mediation analysis further revealed that negative perceptions toward near-miss reporting play a partial mediating role in the relationship between perceived safety blind spots and near-miss reporting culture, indicating that the effect of safety blind spots on reporting culture is partly transmitted through this perceptual pathway. In conclusion, this study empirically demonstrates that the deterioration of near-miss reporting culture cannot be explained solely by individual attitudes but should instead be understood as a structural issue resulting from the combination of perceived safety management gaps in the workplace and negative perceptions toward reporting. These findings suggest that preventing industrial accidents requires moving beyond reactive approaches focused on post-accident responses toward a preventive safety management system that identifies and addresses safety blind spots at an early stage and ensures that near-miss reporting contributes to organizational learning and safety improvement.
Born-Global 기업의 해외진출 동기와 전략: 문화콘텐츠 기업의 사례
[NRF 연계] 한국국제경영학회 국제경영연구 Vol.18 No.2 2007.06 pp.103-139
...culture & content industry. With regard to the motives for early internalization, we suggested that firms are more likely to go abroad early if 1) managers pursue enacted opportunities rather than objective opportunities when they search for the market, 2) the design and production of their products can be easily modified to adapt to the environment, 3) the life-cycle of the product is relatively short compared to the initial investment for the launch of the product, and 4) the market power of the firm in the domestic country is weak. As to the effective entry strategies of born-global firms, we proposed that it will be effective 5) for firms to enter at first foreign countries where the demand size is big enough to acquire high cash flow in a short time, and 6) for firms to build strategic partnership with a firm in the host country at first and then to strengthen the degree of control power along with the increase of market power.
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본 연구는 문화콘텐츠 산업에서 해외진출에 성공한 4개의 Born-Global 기업을 조사하여, Born-Global 기업의 해외진출 동기와 전략에 관한 6개의 명제들을 도출하였다. 첫 번째 단계에서는 해외진출의 동기, 즉 많은 기업들 중 왜 특정기업들이 창업 후 빠른 시일 내에 해외진출 하였는가를 경영자특성 및 제품특성이라는 기업내적 요인과 경쟁적 위치라는 기업외적 요인에 초점을 두어 분석하였다. 이를 통해 1) 경영자가 직관적 판단을 중시하여 창조적 기회(Enacted Opportunity)를 추구하는 특성을 가질수록, 2) 제품이 환경의 변화에 대응하여 설계 및 제작이 용이하게 변경되는 특성을 가질수록, 3) 제품이 초기투자비용에 비해 수명주기가 짧은 특성을 가질수록, 4) 국내시장에서 시장지배력이 낮을수록 해당기업이 Born-Global 기업이 될 가능성이 높다는 결론을 도출하였다. 두 번째 단계에서는 Born-Global 기업의 해외진출 전략, 즉 기업들이 구체적으로 어떤 시장에 어떤 방식으로 진출하는 것이 효과적인가를 분석하였다. 이를 통해 Born-Global 기업은 5) 즉각적 현금유입이 가능한 시장성이 큰 국가에 먼저 진출하는 것이 효과적이며, 6) 진출초기에는 현지파트너와 협력하는 진출형태를 선택하고, 시장의 확대에 따라 점차 통제권이 높은 진출형태를 취하는 것이 효과적이라는 결론을 제시하였다
This study examined the determinants of the motives for early internationalization and the effective entry strategies in born-global firms. We developed six propositions through the case studies on the four successful new ventures in the Korean culture & content industry. With regard to the motives for early internalization, we suggested that firms are more likely to go abroad early if 1) managers pursue enacted opportunities rather than objective opportunities when they search for the market, 2) the design and production of their products can be easily modified to adapt to the environment, 3) the life-cycle of the product is relatively short compared to the initial investment for the launch of the product, and 4) the market power of the firm in the domestic country is weak. As to the effective entry strategies of born-global firms, we proposed that it will be effective 5) for firms to enter at first foreign countries where the demand size is big enough to acquire high cash flow in a short time, and 6) for firms to build strategic partnership with a firm in the host country at first and then to strengthen the degree of control power along with the increase of market power.
주류이데올로기의 한국드라마 수용:중국공산당의 문화 담론 맥락에서 본 한국드라마 담론(2002-2012)
[NRF 연계] 경희대학교 국제지역연구원 아태연구 Vol.20 No.2 2013.08 pp.5-31
...Industry' and 'Confucian Culture'. Third, the discourses on 'Cultural Industry' and 'Confucian Culture' of Korean TV dramas were closely associated with the discussion suggested and emphasized by CCP. Accordingly, the discourses on Korean TV dramas between 2002 until 2012 were accepted in the domain of the discourse generated by CCP in external and internal environmental change. It can be said that the discourses on the Korean TV dramas were accepted as the main ideology of the CCP.
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이 연구는 담론을 매개로 중국에서 2002년부터 2012년 사이의 공산당의 주류 이데올로기와 한국드라마의 관계를 탐색했다. 구체적인 연구목적은 첫째, 공산당의 문화 담론이 생성되는 주요한 대내외 환경요소는 무엇인가. 둘째, 중국 핵심 학술 등재지가 생성한 한국드라마 담론은 무엇인가. 셋째, 공산당의 문화 담론과 한국드라마 담론의 상호관계는 무엇인가 등 세 가지이다. 담론 분석 텍스트는 제16차 및 제17차 당 대회 보고,『국가 ‘십일오’시기 문화발전계획』, 36개 중국 핵심 학술 등재지의 120편 논문이다. 공산당의 문화 담론 생성은 여러 환경 요소 중 ‘화평굴기’와 ‘문화세계화’ 의 맥락에서 이해할 수 있고, 중국 핵심 학술 등재지가 생성한 한국드라마 담론은 크게 ‘문화산업’과 ‘유가문화’ 담론으로 나눌 수 있다. 또한 담론 분석 결과 문화 담론과 한국드라마 담론 사이에 밀접한 관계를 발견했는데, 권력과 담론의 영역에서 보면 주류 이데올로기가 한국드라마를 수용했다고 해석할 수 있다.
This research selected Chinese Communist Party(CCP) as the agent for accepting Korean TV dramas, and explained the reception of Korean TV dramas by CCP in the aspect of discourse for methodology. There were three specific research purposes as follows. First, what are the major external and internal environmental elements faced by the CCP? Second, what is the discourse on Korean TV dramas generated by the core journals of China? Third, what is the relationship between the Korean TV dramas discourse and the discourse generated by CCP? In this research, the texts of discourse included The Report of 16th&17th National Congress of the Communist Party of China, the 11th Five-Year Plan and 120 essays of the core journals of China. The research results are as follows. First, the CCP led by the fourth generation leaders from 2002 until 2012, faced the major external and internal environmental change of 'Cultural Globalization' and 'Peaceful Rise'. Second, the research on Korean TV dramas by the core journals of China generated the discourses on 'Cultural Industry' and 'Confucian Culture'. Third, the discourses on 'Cultural Industry' and 'Confucian Culture' of Korean TV dramas were closely associated with the discussion suggested and emphasized by CCP. Accordingly, the discourses on Korean TV dramas between 2002 until 2012 were accepted in the domain of the discourse generated by CCP in external and internal environmental change. It can be said that the discourses on the Korean TV dramas were accepted as the main ideology of the CCP.
한국신문의 영화에 관한 보도담론의 특징과 의미: 산업담론과 문화담론의 대립적 갈등을 중심으로
[NRF 연계] 한국언론학회 한국언론학보 Vol.55 No.3 2011.06 pp.28-53
...industry from industrial perspective completely, and reveal such kind of tendency without any differences between the conservative media and the progressive media in respect of structural conditions, negative implications and cultural value of the film industry. In short, Korean media tended to produce the industry discourse about the film industry without building up its cultural discourse.
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본 연구는 한국 영화에 대한 두 가지 담론, 즉, 영화를 산업으로 인식하는 산업담론과 문화의 영역으로 인식하는 문화담론의 갈등적 관계와 그것이 함의하는 이데올로기적 의미에 대해 논의하고 있다. 특히 이러한 담론적 갈등이 첨예하게 대립되었던 시점인 한미 FTA 협상 가운데 영화 부문에 대한 언론의 담론에 주목하였다. 분석대상으로는 조선, 동아, 경향 및 한겨레신문으로 보수 및 진보의 대표적 신문들을 선정하여 담론분석방법을 시도하였다. 특히 페어클로우(Fairclough) 등이 제시하는 비판적 담론분석(Critical Discourse Analysis: CDA)을 중점적으로 활용하였다. 분석 결과, 우리 언론에서는 영화에 대한 산업담론이 우세하며 영화에 대한 문화담론 또는 민족담론은 상대적으로 약하게 구성되고 있음이 발견되었다. 이는 우리 언론이 영화를 문화적 영역으로 인식하기보다는 산업적 영역으로 인식하고 있음을 의미한다.
The purpose of this study was to investigate media discourse of Korean films and its ideological conflicts between conservative media and progressive media in Korean society. As main objects of this study, conservative media and progressive media dealing with film issues in the FTA agreements between Korea and U.S. were selected and analyzed with semantic analysis and critical discourse analyses. As result of this study, it was concluded that Korean media tended to approach the Korean film industry from industrial perspective completely, and reveal such kind of tendency without any differences between the conservative media and the progressive media in respect of structural conditions, negative implications and cultural value of the film industry. In short, Korean media tended to produce the industry discourse about the film industry without building up its cultural discourse.
제조업의 TBM활동이 안전요인에 미치는 영향 - 안전의사소통, 안전중요성문화, 규정절차문화를 중심으로 -
[NRF 연계] 사단법인 안전문화포럼 안전문화연구 Vol.28 2024.03 pp.139-153
...culture, and regulatory procedure culture were configured as dependent variables. Based on the results of a survey of 179 workers at 13 manufacturing plants, statistical analysis was conducted using JAMOVI, a statistical analysis program. As a result of the study, the level of TBM activity in the manufacturing industry was positively related to safety communication (=0.607, p<.001), safety importance culture (=0.574, p<.001), and regulatory procedure culture (=0.579, p<.001). It was confirmed to have a significant effect. Through these results, implications were discussed: first, that TBM activities in the manufacturing industry can affect safety accident prevention by improving safety culture subfactors, and second, that TBM activities should be more activated to prevent safety accidents in the manufacturing industry. . In addition, we hope that TBM activities will be activated in the manufacturing industry and contribute to the prevention of safety accidents through follow-up research on the safety effects of TBM activities at manufacturing workplaces.
※ 협약을 통해 무료로 제공되는 자료로, 원문이용 방식은 연계기관의 정책을 따르고 있습니다.
중대재해법의 시행과 같은 정부규제와 다양한 안전보건정책을 통한 사고예방활동에도 불구하고 안전사고의 발생률은 뚜렷한 감소세를 보이고 있지 않다. 이에 최근 고용노동부는 법적인 의무사항은 아니지만 Tool Box Meeting에 대한 가이드를 배포하고 TBM활동을 안전사고예방을 위한 핵심 활동으로 제시하였다. 본 연구에서는 안전사고예방을 위하여 현재 TBM활동을 실시하고 있는 제조업사업장을 대상으로 TBM활동이 안전요인에 미치는 영향을 연구하였다. 선행연구고찰을 통해 TBM활동수준을 독립변수로 안전의사소통, 안전중요성문화, 규정절차문화를 종속변수로 구성하였다. 제조업사업장 13개 업체근로자 179명을 대상으로 설문조사한 결과를 바탕으로 통계분석프로그램인 JAMOVI를 이용하여 통계분석을 진행하였다. 연구결과 제조업의 TBM활동수준이 안전의사소통(=0.607, p<.001), 안전중요성문화(=0.574, p<.001), 규정절차문화(=0.579, p<.001)에 모두 정적으로 유의한 영향을 미치는 것으로 확인되었다. 이러한 결과를 통해 첫째, 제조업의 TBM활동이 안전문화 하부요인들을 개선해 안전사고예방에 긍정적 영향을 줄 수 있다는 점과 둘째, 제조업 안전사고예방을 위하여 TBM활동이 더욱 활성화되어야 한다는 점 등에 대하여 시사점을 논의하였다. 더불어 제조업사업장의 TBM활동에 대한 안전성과에 대한 후속연구를 통해 제조업에서 TBM활동이 활성화되고 안전사고예방에 기여하기를 기대한다.
Despite accident prevention activities through government regulations such as the enforcement of the Serious Accident Act and various safety and health policies, the incidence of safety accidents is not showing a clear decrease. Accordingly, the Ministry of Employment and Labor recently distributed a guide on Tool Box Meetings and presented TBM activities as a key activity to prevent safety accidents, although it is not a legal obligation. In this study, we studied the impact of TBM activities on safety factors in manufacturing plants that are currently operating TBM activities to prevent safety accidents. Through a review of previous research, the TBM activity level was used as an independent variable, and safety communication, safety importance culture, and regulatory procedure culture were configured as dependent variables. Based on the results of a survey of 179 workers at 13 manufacturing plants, statistical analysis was conducted using JAMOVI, a statistical analysis program. As a result of the study, the level of TBM activity in the manufacturing industry was positively related to safety communication (=0.607, p<.001), safety importance culture (=0.574, p<.001), and regulatory procedure culture (=0.579, p<.001). It was confirmed to have a significant effect. Through these results, implications were discussed: first, that TBM activities in the manufacturing industry can affect safety accident prevention by improving safety culture subfactors, and second, that TBM activities should be more activated to prevent safety accidents in the manufacturing industry. . In addition, we hope that TBM activities will be activated in the manufacturing industry and contribute to the prevention of safety accidents through follow-up research on the safety effects of TBM activities at manufacturing workplaces.
사회적기업 조직문화가 종사자의 조직몰입에 미치는 영향: 제조업과 서비스업의 차이를 중심으로
[NRF 연계] 충남대학교 사회과학연구소 사회과학연구 Vol.27 No.1 2011.02 pp.25-48
...culture is a variable to influence the organizational commitment of social enterprise employees, this research was conducted to contribute to the enhancement of organizational effectiveness of the social enterprise. To achieve this, a questionnaire survey was conducted on 319 employees of 48 social enterprises in the Busan, Ulsan, and Gyeongnam. The results of this research are as follows. First, in social enterprises’ organizational culture, the service industry showed higher levels in developmental culture and hierarchical culture than the manufacturing industry. Second, in the manufacturing industry, only group culture was determined to have positive effects on organizational commitment. Third, in the service industry, developmental culture, group culture, and hierarchical culture were significant and among these, developmental culture showed the most dominant influence. Fourth, the results of the regression analysis on the manufacturing industry combined with the service industry showed that period of working time, developmental culture, group culture, and hierarchical culture had positive influence on organizational commitment.
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본 연구는 사회적기업 종사자의 조직몰입에 영향을 미치는 변인으로 종사자가 인식한 조직문화를 상정하고 제조업과 서비스업 간의 차이를 규명하여 사회적기업의 조직효과성 향상에 기여하고자 시도되었다. 이를 위해 부산․울산․경남지역의 48개 사회적기업의 종사자 319명을 대상으로 설문조사를 실시하였다. 분석결과, 첫째, 사회적기업의 업종별 조직문화는 개발문화와 위계문화에서 서비스업이 제조업에 비해 높은 수준을 보이고 있었다. 둘째, 제조업의 경우 집단문화만이 조직몰입에 정적인 영향요인으로 판별되었다. 셋째, 서비스업에서는 개발문화, 집단문화, 위계문화가 유의하였으며, 이 중 개발문화가 가장 우세한 영향력을 보였다. 넷째, 제조업과 서비스업을 묶어 살펴본 회귀분석의 결과에서는 근무경력, 개발문화, 집단문화, 위계문화가 조직몰입에 정적인 영향을 미치는 것으로 나타났다.
By establishing the difference between the manufacturing and the service industries, postulating that organizational culture is a variable to influence the organizational commitment of social enterprise employees, this research was conducted to contribute to the enhancement of organizational effectiveness of the social enterprise. To achieve this, a questionnaire survey was conducted on 319 employees of 48 social enterprises in the Busan, Ulsan, and Gyeongnam. The results of this research are as follows. First, in social enterprises’ organizational culture, the service industry showed higher levels in developmental culture and hierarchical culture than the manufacturing industry. Second, in the manufacturing industry, only group culture was determined to have positive effects on organizational commitment. Third, in the service industry, developmental culture, group culture, and hierarchical culture were significant and among these, developmental culture showed the most dominant influence. Fourth, the results of the regression analysis on the manufacturing industry combined with the service industry showed that period of working time, developmental culture, group culture, and hierarchical culture had positive influence on organizational commitment.
영국의 문화산업: 스트랫퍼드 어폰 에이본의 ‘셰익스피어 문화 만들기’
[NRF 연계] 한국현대영어영문학회 현대영어영문학 Vol.51 No.3 2007.08 pp.101-122
...industry and how 'Shakespeare Culture-Making' has been successful. William Shakespeare is a prominent national icon of British culture. However, the great popularity of Shakespeare would have not be achieved without the institutional managements of cultural industry. In history, cultural industry was abused by fascist groups particularly in Germany in the twentieth century. Now, the world has become a multi-democratic and post-industrial society where class and ideological struggles are dissolved completely. As the democratic society gets matured, culture begins to function itself as a generalized life in that people can share and enjoy their cultural life on public ways. In Britain, her policy of cultural industry is effectively managed by the central, local governments and British Art Councils. Stratford upon Avon - the heart of 'Shakespeare culture-making' - has produced large amount of successful cultural works from Shakespeare's heritages. Particularly, the active role of the Royal Shakespeare Company is an exemplary one. Britain now has a very characterized system of public culture such that Shakespearean heritages becomes a sort of general ways of life. As Raymond Williams says, culture becomes ordinary, being a whole way of everyday's life. Meanwhile, Shakespeare has been naturalized into people's life through the managements of British cultural industry, that is, the significance of 'Shakespearean culture-making.'
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This thesis sets out to investigate how Britain has effectively managed her own cultual industry and how 'Shakespeare Culture-Making' has been successful. William Shakespeare is a prominent national icon of British culture. However, the great popularity of Shakespeare would have not be achieved without the institutional managements of cultural industry. In history, cultural industry was abused by fascist groups particularly in Germany in the twentieth century. Now, the world has become a multi-democratic and post-industrial society where class and ideological struggles are dissolved completely. As the democratic society gets matured, culture begins to function itself as a generalized life in that people can share and enjoy their cultural life on public ways. In Britain, her policy of cultural industry is effectively managed by the central, local governments and British Art Councils. Stratford upon Avon - the heart of 'Shakespeare culture-making' - has produced large amount of successful cultural works from Shakespeare's heritages. Particularly, the active role of the Royal Shakespeare Company is an exemplary one. Britain now has a very characterized system of public culture such that Shakespearean heritages becomes a sort of general ways of life. As Raymond Williams says, culture becomes ordinary, being a whole way of everyday's life. Meanwhile, Shakespeare has been naturalized into people's life through the managements of British cultural industry, that is, the significance of 'Shakespearean culture-making.'
국가와 시장 사이의 대중문화: 중국 영화산업과 하세편(賀歲片)
[NRF 연계] 한국국제정치학회 국제정치논총 Vol.55 No.1 2015.03 pp.101-135
...culture is undercontrol of nation and market powers. In this assumption, how do popular culturebecome affected between two powers? In order to explain the idea intensively,this study focused on the case of ‘Chinese New Year Movie’ and it’s industrywhich has been transformed systematically and historically. In fact, China isrepresented such a unique situation which exists two powers in parallel in thegeneral filed of popular culture. This study explores therefore why the Chinesefilm industry is in the middle of the transformative process in Chinese popularculture and how the popular culture intermediate the relationship between stateand market powers.
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대중문화의 형성과 발전에는 국가와 시장의 정치경제적 의도가 깊숙이 내재되어있다. 다시 말하면 대중문화라는 것이 국가의 지배권력 유지와 정치적 통합, 그리고자본의 경제적 이익을 위해 국가와 시장에 의해 규정되고 추진되는 정치경제적 프로젝트일 수 있다는 것이다. 그렇다면 과연 대중문화는 국가와 시장 사이에서 어떠한 영향을 받는 것일까? 그리고 대중문화를 둘러싸고 국가와 시장은 어떤 권력관계를 형성하는 것일까? 이를 설명하기 위해서 본 연구는 체제전환 국가인 중국의 영화와 영화산업, 그 중에서도 하세편(賀歲片) 영화들을 그 사례로 삼아서 분석해보고자 한다. 중국의 사례를 분석하고자 하는 이유는 현재 중국이 대중문화를 둘러싸고국가와 시장의 권력이 동시에 존재하는 흔치 않는 경험적 사례를 제공해 주고 있기때문이다. 대중문화가 갖는 이데올로기적 성격과 상업적 성격을 각각 대중문화의 정치성과상업성으로 부를 수 있을 것이다. 따라서 특정의 대중문화가 갖는 정치성과 상업성의 특성을 규명해보면 그 대중문화를 둘러싼 국가와 시장의 권력관계를 유추해볼수 있을 것이다. 중국의 체제전환 과정에서 하세편 영화들은 초기 상업성과 탈정치성을 지향하는 상업영화의 출현을 보여주다가, 시장화가 심화될수록 점차 상업영화가 상업성뿐만 아니라 정치성까지 추구하는 모습을 보여주고 있다. 전기 하세편의영화적 특성은 이 시기까지 국가와 시장이 영화산업을 둘러싸고 각각의 영화적 영역을 확보하면서 경쟁적 관계를 형성하고 있었다는 것을 보여준다. 반면에 후기 하세편의 영화적 특성은 이 시기 국가와 시장이 영화산업을 둘러싸고 보완적 관계를형성하고 있음을 보여준다. 결론적으로 이것은 대중문화를 둘러싸고 국가와 시장이경쟁하는 경우 결국은 국가와 자본이 국가를 중심으로 상호보완적 공조관계를 형성할 수 있다는 것을 말한다. 이는 결국 대중문화의 선택지가‘이데올로기 조작과 상업적 이윤을 위한 공간’이 될 수 있음을 말해주고 있는 것이다.
As a profound political method and cultural products, popular culture is undercontrol of nation and market powers. In this assumption, how do popular culturebecome affected between two powers? In order to explain the idea intensively,this study focused on the case of ‘Chinese New Year Movie’ and it’s industrywhich has been transformed systematically and historically. In fact, China isrepresented such a unique situation which exists two powers in parallel in thegeneral filed of popular culture. This study explores therefore why the Chinesefilm industry is in the middle of the transformative process in Chinese popularculture and how the popular culture intermediate the relationship between stateand market powers.
문화와 중국의 지역경제성장: 문화산업과 문화사업의 비교
[NRF 연계] 중국학연구회 중국학연구 Vol.73 2015.08 pp.233-256
...culture and the regional economic growth in China. The cultural industry is for the purpose of profit, and the cultural work is for the purpose of public welfare. The cultural industry is developing by national level in China. And the China government provides the financial allocation by every year. This paper analyzes the affection of the cultural industry and the cultural work to the regional economic growth in China. The empirical study uses the regional panel data, use 31 region’s data. The period sets from 2005 to 2013. The 31 region’s result finds that the cultural work more affect to the regional economic growth than the cultural industry. And the four region’s result finds that the coefficient of the eastern region’s cultural industry has significance, and the cultural work still more significant than the cultural industry. In the middle region, the western region, the north-eastern region, the significances of the cultural industry are low, and the cultural work are relatively high.
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This paper analyzes the relations between the culture and the regional economic growth in China. The cultural industry is for the purpose of profit, and the cultural work is for the purpose of public welfare. The cultural industry is developing by national level in China. And the China government provides the financial allocation by every year. This paper analyzes the affection of the cultural industry and the cultural work to the regional economic growth in China. The empirical study uses the regional panel data, use 31 region’s data. The period sets from 2005 to 2013. The 31 region’s result finds that the cultural work more affect to the regional economic growth than the cultural industry. And the four region’s result finds that the coefficient of the eastern region’s cultural industry has significance, and the cultural work still more significant than the cultural industry. In the middle region, the western region, the north-eastern region, the significances of the cultural industry are low, and the cultural work are relatively high.
외식기업의 문화마케팅과 외식기업이미지의 정준상관관계에 관한 연구
[NRF 연계] 한국호텔외식관광경영학회 호텔경영학연구 Vol.19 No.6 2010.12 pp.61-76
...culture marketing and image of enterprise in out-dining industry. The cultural marketing are classified into 5 categories; culture sales, cultural supports, service culture,food culture, and cultural back-ground. And Image of out-dining enterprise is divided into two factors which are macro image and micro image. Self-administrated questionnaires were completed 326 university's students and data analyzed by frequency analysis, reliability, factor analysis and canonical analysis. The results as follows:As a result of Canonical Analysis, the study showed that there is significant relationship between practice cultural marketing and Corporation image in foodservice industry.
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본 연구의 목적은 외식기업이미지와 문화마케팅 사이의 관계를 알아보는 것이다. 문화마케팅은 5가지의 카테고리로 분류되는데, 문화세일즈, 문화지원, 서비스문화, 음식문화, 문화적 배경이 그것이다. 그리고 외식기업의 이미지는 거시이미지와 미시이미지 두가지로 분류하였다. 연구에서 진행된 설문은 총 326명의 대학생으로부터 수집되었고, 자료분석은 빈도분석, 신뢰도분석, 요인분석,상관관계분석을 하였다. 정준상관관계분석의 결과로 본 연구에서는 외식산업에서 문화마케팅과 기업이미지는 유의한 상관관계가 있는것으로 나타났다.
The purpose of this study is to reveal relationship between practice culture marketing and image of enterprise in out-dining industry. The cultural marketing are classified into 5 categories; culture sales, cultural supports, service culture,food culture, and cultural back-ground. And Image of out-dining enterprise is divided into two factors which are macro image and micro image. Self-administrated questionnaires were completed 326 university's students and data analyzed by frequency analysis, reliability, factor analysis and canonical analysis. The results as follows:As a result of Canonical Analysis, the study showed that there is significant relationship between practice cultural marketing and Corporation image in foodservice industry.
[NRF 연계] 한국무역학회 무역학회지 Vol.28 No.4 2003.09 pp.245-273
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문화적 기억으로써의 K-pop 산업 : <케이팝 데몬 헌터스> 속 팬덤 문화를 중심으로
[NRF 연계] 한국문화산업학회 문화산업연구 Vol.26 No.1 2026.03 pp.345-353
...industry. Focusing on the visual representation of Hallyu and fandom culture in the text, the study analyzes how participatory culture and collective intelligence are articulated in the animation. The development of information and communication technologies has accelerated digital environments, enabling the formation of fandom-based collective intelligence. This process is understood as a cultural phenomenon in which participatory practices are transformed into cultural memory and expanded into economic value through tourism. The study employs the theoretical frameworks of participatory culture by Fiske and Jenkins, collective intelligence by Levy, and cultural memory by Assmann. Participatory culture explains fandom’s active cultural production, while collective intelligence accounts for how online collaboration leads to social change, and cultural memory theory elucidates how such practices are socially shared and accumulated. The findings are as follows. First, contemporary fandom functions as a prosumer actively engaged in cultural production and real-world problem solving. Second, the narrative of the protagonist “Lumi” metaphorically represents collective intelligence and corresponds to the social engagement of BTS fandom ARMY. Third, representations of K-pop, fandom culture, and Korean traditions are transformed into cultural memory and contribute to tourism and economic value creation. This study demonstrates how participatory fandom generates collective intelligence, transforms it into cultural memory, and expands it within the cultural industry, suggesting the sustainability of K-content.
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본 연구의 목적은 K-pop을 소재로 한 넷플릭스 오리지널 콘텐츠 <케이팝 데몬 헌터스>가 오락적 기능을 넘어, 팬덤의 능동적 문화가 어떻게 문화적 기억으로 전환되고, 사회 변화를 주도하며, 더 나아가 문화산업의 경제적 가치로 전환되는지를 규명하는 것이다. 이를 위해 작품 내 한류 문화 및 팬덤 문화가 시각적으로 재현된 양상을 중심으로 참여문화, 집단지성이 애니메이션에 어떻게 표현되었는지 살펴보았다. 정보 통신 기술의 발달은 디지털의 활성화를 촉진시켰고, 팬덤의 집단 지성의 형성되는 환경을 구축시켰다. 이는 다시 문화적 기억으로 전환되고 현실 세계에서 관광산업을 통해 경제적 가치를 창출하는 문화적 현상으로 간주했다. 피스크와 젠킨스의 참여문화론으로 팬덤의 능동적 문화 생산 활동을 고찰했고, 이들의 온라인 기반 협업과 공유가 어떻게 현실 사회에 변화를 가져오는지를 레비의 집단지성 이론으로 살펴보았다. 다시 사회적으로 공유되어 대중들에게 기억으로 축적되는지를 아스만의 문화적 기억 이론으로 분석했다. 연구의 주요 분석 결과를 요약하면 다음과 같다. 첫째, 현대의 팬덤은 프로슈머이면서 현실의 문제 해결에도 적극적이다. 둘째, 이 콘텐츠는 주인공인 ‘루미’의 성장 서사를 통해 레비의 집단 지성을 은유적으로 재현했고, 현실 세계에서 BTS의 팬덤(ARMY)이 보여준 집단 지성의 사회참여적 사례와 상응한다. 셋째, 콘텐츠에 재현된 K-pop, 팬덤 문화, 한국 전통 문화 등은 시청자에게 문화적 기억으로 전환되고, 다시 관광산업의 활성화로 연결되어 경제적 가치 창출에 기여했다. 본 연구는 팬덤의 참여문화가 이뤄낸 집단 지성이 문화적 기억으로 전환되어 현실세계에 미치는 긍정적 영향을 고찰했다. 이로써 K-콘텐츠가 다양한 문화적 유산과 결합하여 지속 가능한 문화산업으로 성장할 수 있음을 시사한다.
This study examines how the Netflix original content K-pop Demon Hunters goes beyond entertainment to demonstrate how fandom’s active cultural practices are transformed into cultural memory, lead social change, and generate economic value within the cultural industry. Focusing on the visual representation of Hallyu and fandom culture in the text, the study analyzes how participatory culture and collective intelligence are articulated in the animation. The development of information and communication technologies has accelerated digital environments, enabling the formation of fandom-based collective intelligence. This process is understood as a cultural phenomenon in which participatory practices are transformed into cultural memory and expanded into economic value through tourism. The study employs the theoretical frameworks of participatory culture by Fiske and Jenkins, collective intelligence by Levy, and cultural memory by Assmann. Participatory culture explains fandom’s active cultural production, while collective intelligence accounts for how online collaboration leads to social change, and cultural memory theory elucidates how such practices are socially shared and accumulated. The findings are as follows. First, contemporary fandom functions as a prosumer actively engaged in cultural production and real-world problem solving. Second, the narrative of the protagonist “Lumi” metaphorically represents collective intelligence and corresponds to the social engagement of BTS fandom ARMY. Third, representations of K-pop, fandom culture, and Korean traditions are transformed into cultural memory and contribute to tourism and economic value creation. This study demonstrates how participatory fandom generates collective intelligence, transforms it into cultural memory, and expands it within the cultural industry, suggesting the sustainability of K-content.
산업구조에 기반한 지속가능경영 문화: 정유산업을 중심으로
[NRF 연계] 한국문화산업학회 문화산업연구 Vol.22 No.1 2022.03 pp.89-99
...culture of the oil refining industry. The current status, major competitors, and key issues of the oil refining industry were analyzed, and sustainability reports were reviewed to examine how well each company had been aware of and dealing with the issues. The results are as follows: first, the oil refining industry is the fourth largest export industry that has the most significant impact on the Korean economy. SK Energy, GS Caltex, S-Oil, and Hyundai Oilbank are four major companies controlling the market. Second, the analysis of the structure of the oil refining industry found that material substitution is the most serious threat to the industry. Third, major issues in the industry included carbon neutrality, long-term demand reduction, relevance to the fourth industry, securing human resources, and workplace accidents. Fourth, GS Caltex showed a clear awareness of and concrete plans for the issues of carbon neutrality and long-term demand reduction, while it rarely mentioned the issues of the fourth industry and securing human resources. Fifth, while S-OIL had a clear awareness of and concrete plans for the issues of the fourth industry and securing human resources, their reports did not mention enough about the issues of carbon neutrality and long-term demand reduction. Sixth, both companies showed a clear awareness and concrete plans for the issue of workplace accidents.
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본 연구는 정유산업의 지속가능성 문화를 분석하였다. 정유산업의 현황과 주요 경쟁세력 파악, 그리고 정유산업이 당면한 주요 이슈를 분석하고, 지속가능경영보고서 분석을 통해 각 기업들이 얼마나 제대로 이슈들을 인식하고, 대응하고 있는지를 살펴보았다. 첫째, 정유산업은 국내 수출액 4위로 한국 경제에 큰 비중을 차지하는 산업이며, SK에너지, GS칼텍스, S-OIL, 현대오일뱅크의 4사가 과점하고 있다. 둘째, 정유산업의 산업구조 분석을 통해 대체재의 위협요인이 가장 큰 것을알 수 있었다. 셋째, 정유산업의 주요 이슈로는 탄소중립, 장기적 수요 감소, 4차 산업 관련성, 인재 확보, 안전사고를 선정하였다. 넷째, GS칼텍스의 경우, 탄소중립이슈와 장기적 수요 감소 이슈에는 분명한 인식과 구체적인 대응방안을 보여주고 있는 반면, 4차 산업 이슈와 인재 확보 이슈에는 언급이 많지 않았다. 다섯째, S-OIL은 4차 산업 이슈와 인재 이슈에는 분명한 인식과 구체적인 대응방안을 보여주고 있는 반면, 탄소중립 이슈와 장기적 수요 감소 이슈에는 언급이 조금 부족한면이 있다. 여섯째, 안전사고 이슈는 두 기업 모두 분명한 인식과 대응을 보여주고 있다.
This study analyzed the sustainability culture of the oil refining industry. The current status, major competitors, and key issues of the oil refining industry were analyzed, and sustainability reports were reviewed to examine how well each company had been aware of and dealing with the issues. The results are as follows: first, the oil refining industry is the fourth largest export industry that has the most significant impact on the Korean economy. SK Energy, GS Caltex, S-Oil, and Hyundai Oilbank are four major companies controlling the market. Second, the analysis of the structure of the oil refining industry found that material substitution is the most serious threat to the industry. Third, major issues in the industry included carbon neutrality, long-term demand reduction, relevance to the fourth industry, securing human resources, and workplace accidents. Fourth, GS Caltex showed a clear awareness of and concrete plans for the issues of carbon neutrality and long-term demand reduction, while it rarely mentioned the issues of the fourth industry and securing human resources. Fifth, while S-OIL had a clear awareness of and concrete plans for the issues of the fourth industry and securing human resources, their reports did not mention enough about the issues of carbon neutrality and long-term demand reduction. Sixth, both companies showed a clear awareness and concrete plans for the issue of workplace accidents.
[NRF 연계] 한국민속학회 한국민속학 Vol.43 2006.06 pp.255-283
...culture of the people. These are the common people, not the ruling class (folklore’s popular nature), who transmit knowledge of their lifestyles (folklore’s practical nature) within the flow of time (folklore’s traditional nature). The point at which these elements meet is the essence of folklore. What is worthy of note is that this popular, practical, and traditional nature is semantically related to the healthy popular nature, “in-the-moment-ness”, and universality that 21st century culture must seek as its way forward. At the place where these meet, we can find the power to drive the culture of the future. Folklorists could be said to be responsible for carrying out this task. The problem is what role folklorists will play in this task. My answer to this is that scholars have to earnestly and faithfully play the role of those who instill contemporary cultural content with “the power of folklore” and the essential vitality of folklore. Clumsy imitation of developers or businessmen is not the right way. It is the lot of folklorists to express in their cultural contents their professionalism as expert scholars thoroughly versed in the various elements of folklore. It is my belief that this is the task of our time that cannot and will not be ignored.
※ 협약을 통해 무료로 제공되는 자료로, 원문이용 방식은 연계기관의 정책을 따르고 있습니다.
학문의 세계에 불어온 문화콘텐츠 바람이 밀려닥친 지 몇 년, 그 바람의 복판에 민속학이 있다. 그간 과거사로 치부되던 민속이 미래 디지털콘텐츠의 핵심 자산으로 재조명되는 가운데, 많은 민속학자들이 민속유산을 문화콘텐츠로 옮기는 작업에 나섰다. 과연 민속학자들은 콘텐츠와 관련하여 무엇을 왜, 어떻게 해야 하는 것일까. 민속은 세월의 총화로서의 민간의 생활양식 및 문화라고 할 수 있다. 그것은 그것은 지배층이 아닌 일반 백성의 것이고(민중성), 구체적 생활에 해당하는 것이며(생활성), 시간적 흐름 속에서 자리 잡아 온 것이다(전통성). 그러한 요소가 한데 만나는 지점, 그것이 민속의 원형이자 본질이라 할 수 있다. 주목할 사실은 그러한 민중성과 생활성, 전통성이 21세기 문화가 찾아가야 할 길로서의 건강한 대중성과 현장성, 탈시대적 보편성과 그 의미 맥락이 통한다는 것이다. 양자가 서로 만나는 지점에서 미래 문화의 동력을 찾아나갈 수 있다. 그 과업을 수행함에 있어 민속학자는 책임 있는 당사자라고 할 수 있다.문제는 민속학자가 그 과업에 있어 어떤 역할을 수행할 것인가 하는 부분이다. 이에 대한 필자의 대답은 학자들은 현대의 문화콘텐츠에 ‘민속의 힘’을, 민속의 원형적 생명력을 불어넣는 역할을 진지하고도 충실하게 완수해야 한다는 것이다. 어설프게 개발자나 사업가 흉내를 내는 것은 바른 길이 아니다. 민속의 제반 요소에 정통한 전문 학자로서 그 전문성을 콘텐츠에 반영해내는 것이 민속학자의 몫인 것이다. 그것은 외면할 수도 없고 외면해서도 안 되는 시대적 과제라고 하는 것이 필자의 생각이다.
It has been several years since the trend of cultural content has overtaken the academic world. At the heart of this trend is the study of folklore. Long considered matters of the past, folklore has now been reevaluated as the central asset of the digital cultural content of the future, and many folklorists have set out to turn folk legacies into cultural content. What exactly are folklorists doing with regard to cultural content, how should they do this, and why? As the aggregate of the ages, folklore can be called the lifestyle modes and culture of the people. These are the common people, not the ruling class (folklore’s popular nature), who transmit knowledge of their lifestyles (folklore’s practical nature) within the flow of time (folklore’s traditional nature). The point at which these elements meet is the essence of folklore. What is worthy of note is that this popular, practical, and traditional nature is semantically related to the healthy popular nature, “in-the-moment-ness”, and universality that 21st century culture must seek as its way forward. At the place where these meet, we can find the power to drive the culture of the future. Folklorists could be said to be responsible for carrying out this task. The problem is what role folklorists will play in this task. My answer to this is that scholars have to earnestly and faithfully play the role of those who instill contemporary cultural content with “the power of folklore” and the essential vitality of folklore. Clumsy imitation of developers or businessmen is not the right way. It is the lot of folklorists to express in their cultural contents their professionalism as expert scholars thoroughly versed in the various elements of folklore. It is my belief that this is the task of our time that cannot and will not be ignored.
일본의 기업문화와 기업간 거래에 관한 연구 -철강산업을 중심으로-
[NRF 연계] 중앙대학교 외국학연구소 외국학연구 Vol.23 2013.03 pp.271-292
...culture and the domestic trading of steel. Focus is directed on the relationships among high profile corporations. The analysis of the relationships within three industries - automobile, electronic, shipbuilding - shows that each industry was supplied with most of its steel by a particular general trading company and its affiliates. In addition, most of the automobile industry was purchasing over 50 % of its steel from one particular steel company. In addition, the shipbuilding industry was observed to be much more dependent on a particular general trading company compared to other industries. In such a closed market, the market price of steel increases due to the commission that the steel company pays to the general trading company. Consequently, it can be problematic for a foreign company to enter into the Japanese steel market where direct trade between the producer and consumer is very low. The Japanese distribution structure may seem to be non-tariff barrier to foreign companies. and in fact it has been effective in preserving the domestic market in the eyes of Japanese corporations and; therefore, it is highly unlikely to change.
※ 협약을 통해 무료로 제공되는 자료로, 원문이용 방식은 연계기관의 정책을 따르고 있습니다.
The purpose of this study is to examine the relationship between Japanese corporate culture and the domestic trading of steel. Focus is directed on the relationships among high profile corporations. The analysis of the relationships within three industries - automobile, electronic, shipbuilding - shows that each industry was supplied with most of its steel by a particular general trading company and its affiliates. In addition, most of the automobile industry was purchasing over 50 % of its steel from one particular steel company. In addition, the shipbuilding industry was observed to be much more dependent on a particular general trading company compared to other industries. In such a closed market, the market price of steel increases due to the commission that the steel company pays to the general trading company. Consequently, it can be problematic for a foreign company to enter into the Japanese steel market where direct trade between the producer and consumer is very low. The Japanese distribution structure may seem to be non-tariff barrier to foreign companies. and in fact it has been effective in preserving the domestic market in the eyes of Japanese corporations and; therefore, it is highly unlikely to change.
디지털 미디어 환경의 콘텐츠 산업 진흥기금: 상상콘텐츠기금과 프랑스'문화세'를 중심으로
[Kisti 연계] 한국콘텐츠학회 한국콘텐츠학회논문지 Vol.14 No.2 2014 pp.146-160
...industry in digital media environment with regard to the new content fund which Korean government has tried to establish since 2013. The study focuses on value transfer toward the digital content distributors as stressed by the French government introducing Culture tax on smart device. As the concentration of added-value poses a problem hampering the co-evolvement of total ecosystem, the goal of new content fund should focus on financing and digitalization of content, which should be financially contributed by content service providers and smart device manufacturers.
※ 협약을 통해 무료로 제공되는 자료로, 원문이용 방식은 연계기관의 정책을 따르고 있습니다.
본 연구는 2013년부터 정부가 추진하고 있는 상상콘텐츠기금 논의의 문제를 확인하고, 디지털 환경에서의 콘텐츠 진흥기금 목적 및 부담 주체를 제시하고자 설계되었다. 본 연구는 프랑스의 새로운 콘텐츠 기금도입 정책과, 부가가치가 콘텐츠 유통 사업자들에게 집중되는 디지털 콘텐츠 생태계의 불균형 문제에 주목하였다. 공존과 균형을 통한 공진화는 생태계의 발전의 필수 요소인 바, 새로운 콘텐츠 기금의 목적은 '콘텐츠 생산 재원조달 활성화와 콘텐츠 산업의 디지털화'에 초점을 맞추어야 하며, 기금 재원은 콘텐츠 유통을 통해 부가가치를 창출하는 디지털 콘텐츠 서비스 사업자 및 스마트 기기 사업자의 역할 분담을 통해 조성되는 것이 바람직하다.
The purpose of this study is to suggest the goal and potential contributors of public fund for content industry in digital media environment with regard to the new content fund which Korean government has tried to establish since 2013. The study focuses on value transfer toward the digital content distributors as stressed by the French government introducing Culture tax on smart device. As the concentration of added-value poses a problem hampering the co-evolvement of total ecosystem, the goal of new content fund should focus on financing and digitalization of content, which should be financially contributed by content service providers and smart device manufacturers.
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