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멜빌과 근대적 주체성의 문제
Melville and the Problem of Modern Subjectivity

첫 페이지 보기
  • 발행기관
    미국소설학회 바로가기
  • 간행물
    미국소설 KCI 등재 바로가기
  • 통권
    제14권 2호 (2007.12)바로가기
  • 페이지
    pp.101-129
  • 저자
    손영림
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A75239

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원문정보

초록

영어
Critical reflection and revaluation of the modern age coalesced into an outlook popularized as ‘postmodernism’ in the latter half of the twentieth century. ‘Modern project’ viewing history as the triumphant progress toward a utopian society, was based on the newly-formed concept of the human subject in the Age of Enlightenment, that is, the free, rational subject. So critiques of ‘modernity’ includes the skepticism about the idea of the modern subject. The opponents of ‘modernity’ contend that in historical reality, the modern subject turns out to be partial and oppressive, identifying itself with white, western, middle-classed male and excluding, and subjugating others. So they insist on the necessity of the destruction of the limited concept of modern subjectivity and the creation of a new concept of subjectivity, including the hitherto neglected parts. This paper examines some of Melville’s works in relation to the issue of modern subjectivity. His novels prefigure our age’s doubt about Cartesian subject viewing the others only in terms of I-It relations and show incessant efforts to rebuild a new kind of self which overcomes the limitations of modern subjectivity. Faced with the circumstances that no sooner is a new notion of identity proposed than it is incapacitated, fettered and nullified by the repressive social forces, Melville moved on and on to the next stage, experimenting with a new idea of selfhood. Finally, Melville proposes subjectivity conceived of as something neither totally self-constituting, nor fully socially-constituted; neither absolute nor arbitrary; both refusing the rigid Cartesian categorization of subject-object, and also rejecting the ‘postmodern’ fragmentation and dissolution of self. I think this concept of self, both constituting and constructed, and mutually dependent and supporting, like ‘Siamese twins,’ sheds meaningful light on our current groping for a post-Cartesian theory of subjectivity.

목차

I. 들어가며
 II.『모비딕』: 근대적 주체에 대한 반성
 III.『피에르』: 자율적, 초월적 주체의 사망 선고
 IV. 주체성의 재건으로의 전환 : 단편들
 V. 나가며
 인용문헌
 Abstract

키워드

Herman Melville modernity postmodernity modern subjevtivity the death of the subject the reconstruction of the subject

저자

  • 손영림 [ Youngrim Sohn ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    미국소설학회 [The American Fiction Association of Korea]
  • 설립연도
    1989
  • 분야
    인문학>영어와문학
  • 소개
    본 학회는 마크 트웨인을 중심으로 한 미국 문학 및 문화에 관한 학슬 활동의 증진을 목적으로 한다

간행물

  • 간행물명
    미국소설 [마크 트웨인 리뷰]
  • 간기
    연3회
  • pISSN
    1738-5784
  • 수록기간
    1991~2020
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 843 DDC 813

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