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기억의 방식과 켈러의 『종군 위안부』
The Mode of Remembering in Keller’s Comfort Woman

첫 페이지 보기
  • 발행기관
    미국소설학회 바로가기
  • 간행물
    미국소설 KCI 등재후보 바로가기
  • 통권
    제12권 1호 (2005.06)바로가기
  • 페이지
    pp.215-236
  • 저자
    권택영
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A75042

※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.

원문정보

초록

영어
One of Freud’s contributions to contemporary narrative technique is the mode of remembering as we see it in the experimental novel by Proust in Modernism and the trauma fictions in Postmodernism. Freud analyzed the patient’s memory and found that trauma was not a cause deeply buried in past but a result produced by dialogue between the patient and the analyst. Due to those transferences, the sequence of cause and effect was reversed. In fact, trauma is like a ghost, haunting repeatedly with different forms, entering the present, and finally the painful story buried in narrator’s mind is realized: the story is not only about the past but about the present.
Since Toni Morrison used a ghost as a crucial metaphor, the search for trauma is one of the recurring themes in the contemporary post-colonial fiction. In Nora Okja Keller’s Comfort Woman, ghosts control the mother’s life and interfere with her daughter’s love. The narrative produces new meaning as it proceeds, and it reveals three persons’ deaths around which trauma is repeated and composed : the first is the death of the comfort woman, the second is that of the mother, and the third that of the father. This paper traces the roles of these three deaths, focusing on narrating the trauma to produce new meanings. To politicalize the trauma, remembering is not enough: the trauma should be narrated to be listened to by the public. Which death is the most crucial to this purpose? The paper suggests that the third death, the death of the father is
the most crucial to socialize the trauma of the comfort woman. Like the Dead Father in the Freudian sense, as well as the Name of Father in a Lacanian context, the father’s death takes two women's deaths into one readable narration, showing us the transformation of the word, “Chungsindae,” comfort woman, into a real comfort woman, a symbol of Mother Nature. Thus, our memory is possible only with the third ring, the Dead Father, as a function of forgetting and remembering, from which the new story is born.

목차

인용문헌
 Abstract

키워드

Comfort Woman trauma possibility of death The Name of Father foreclosure Dead Father

저자

  • 권택영 [ Teckyoung Kwon ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    미국소설학회 [The American Fiction Association of Korea]
  • 설립연도
    1989
  • 분야
    인문학>영어와문학
  • 소개
    본 학회는 마크 트웨인을 중심으로 한 미국 문학 및 문화에 관한 학슬 활동의 증진을 목적으로 한다

간행물

  • 간행물명
    미국소설 [마크 트웨인 리뷰]
  • 간기
    연3회
  • pISSN
    1738-5784
  • 수록기간
    1991~2020
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 843 DDC 813

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