Earticle

초록

영어

Many studies have claimed that sijochang spread to the lower classes to such an extent that it effectively became a popular genre in the 19th century, and this assertion is now generally accepted as fact. Considering that sijochang is not difficult to perform and can be performed without instrumental accompaniment, it is only natural that sijochang should spread. However, there is some doubt whether the ordinary folk in the 19th century enjoyed sijochang, which had been mainly enjoyed by the men of the upper classes and professional musicians in the 18th century. The arguments concerning the popularization of sijochang in the 19th century hitherto have depended on the existence of the anthology Namhuntaepyeongga, which was commercially woodblock printed in 1863. Many scholars have regarded Namhuntaepyeongga as a collection of sijochang lyrics and presented it asevidence of the popularization of sijochang in the 19th century. However, it is not clear whether Namhuntaepyeongga is a collection of sijochang lyrics intended for singing. There is the possibility that the main purpose of Namhuntaepyeongga was to offer an anthology for reading rather than for singing. This paper reopens the discussion of whether or not sijochang became a popular genre in the 19th century, based on materials other than Namhuntaepyeongga, and then carefully examines the purpose for which Namhuntaepyeongga was published.

목차

1. 서론
 2. 19세기의 시조창 향유기회와 향유층
 3. 『남훈태평가』의 간행목적과 수용층
 4. 결론
 참고문헌
 Abstract

키워드

저자

• 이유진 [ Yi, Yu-Jin | 서울대 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  국문학연구 [Journal of Korean Literature]

• 간기

  반년간

• pISSN

  1598-2076

• 수록기간

  1997~2011

• 십진분류

  KDC 810 DDC 895