Earticle

현재 위치 Home

예이츠의 「청금석 부조」와 예술가의 비전
Yeats’s “Lapis Lazuli” and His Artistic Vision

첫 페이지 보기
  • 발행기관
    한국예이츠학회 바로가기
  • 간행물
    한국 예이츠 저널 KCI 등재후보 바로가기
  • 통권
    제21권 (2004.06)바로가기
  • 페이지
    pp.137-155
  • 저자
    김재봉
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A5032

※ 기관로그인 시 무료 이용이 가능합니다.

5,400원

원문정보

초록

영어
One of Yeats’s distinguished later poems, “Lapis Lazuli”, which was inspired by a Chinese lapis lazuli carving he received as a gift from a young man of letters, declares the values of artistic activities as a creator as well as preserver of civilizations. In the poem, the poet as a poetic persona constructs vivid vision beyond the real world, breathes in the invisible fragrance that doesn’t really exist and appreciates the unheard melodies from the still object of art. The old ascetics imagined out of the carved still-life meditate upon the tragic scenes beneath their feet from the mountain they ascend towards. Fictitious creatures in a created world of sculpture stare on the real world with old wisdom transfiguring dread. Yeats had not presented all the significant experiences as successfully as he illustrated in this poem. He made the real fictional and in turns, turned the fanciful ideas into real things. The old glittering eyes of those Chinamen in the last stanza are more authentic than the hysterical women who complain with wrong, shrill and cracking voices in the first stanza. The roles of the poet also become mythic as the Chinese do who are distant, old, wise and gay in the hard stone. The poet penetrates into the domain of art work silently and looks back on a poor play of life from the gaiety of his own art. The description of the last stanza in a form of sonnet is much like the controlled carving of a sculptor. And it eternalizes artistic performances by transforming a visual art into a linguistic imagination, and thus by re-creating the scene depicted in the stone in a pleasant manner. As the artist imagines scent and music and movements in the given poetic object, the sculpture attains values stimulating observers’ perception permanently. The Chinese art work with two ascetics and one pupil carrying a musical instrument will continue to mutate in the mind of readers as it receives multiple senses through the poem.

키워드

시각예술 예술가의 비전 청금석 부조 수도자 비극적 황홀 문명의 순환 visual arts artistic vision lapis lazuli ascetics tragic joy the rise and fall of civilizations

저자

  • 김재봉

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    한국예이츠학회 [The Yeats Society of Korea]
  • 설립연도
    1991
  • 분야
    인문학>영어와문학
  • 소개
    예이츠 및 관련 분야에 대한 회원들의 학문 발전을 도모하고 연구 의욕을 고취시키기 위해 다음과 같은 일을 기획하고 수행함을 그 목적으로 한다. 1) 학술 발표회 및 세미나 개최 2) 학술 정보의 수집과 자료 교환 3) 연구논문집 『한국예이츠저널』(The Yeats Journal of Korea) 발간 4) 회원 상호간의 학문적 교류와 친목 도모

간행물

  • 간행물명
    한국 예이츠 저널 [The Yeats Journal of Korea]
  • 간기
    연3회
  • pISSN
    1226-4946
  • 수록기간
    1991~2025
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 841 DDC 811

이 권호 내 다른 논문 / 한국 예이츠 저널 제21권

    피인용수 : 0(자료제공 : 네이버학술정보)

    함께 이용한 논문 이 논문을 다운로드한 분들이 이용한 다른 논문입니다.

      페이지 저장