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『春雨物語』序文에 나타난 秋成의 創作意圖 考察
『춘우물어』서문에 나타난 추성의 창작의도 고찰

첫 페이지 보기
  • 발행기관
    단국대학교 동아시아인문융복합연구소(구 단국대학교 일본연구소) 바로가기
  • 간행물
    일본학연구 KCI 등재후보 바로가기
  • 통권
    제14집 (2004.04)바로가기
  • 페이지
    pp.173-198
  • 저자
    南澈熙
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A4957

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원문정보

초록

영어
『HARUSAMEMONOGATARI』is a 10 short story series which was finished in 1808, and UEDA Akinari polished it out 1 year before he died in 1809. It was issued 30 years after『Ugetsumonogatari』, his masterpiece, was published in 1776.
『HARUSAMEMONOGATARI』reminds us『Ugetsumonogatari』as regard not only title but also style. However when it comes to the content,『Ugetsumonogatari』describes an illusive world, and『HARUSAMEMONOGATARI』is a work with realistic style. During those 30 years, UEDA Akinari hardly did his work as a novelist. on the other hand he made a reputation as a writer among ‘Kamigata’.
In those days, he debated with MOTOORI Norinaga on an essay of ‘Hinogami’ and a phonology of antiquity. And he concentrated on the study of Japanese classical literature. Furthermore, he threw away his manuscripts in an old well in 1807, since he couldn't stand valueless works. However it is irony that he continued to write and finished『HARUSAMEMONOGATARI』in 1808. So, this study looked into the purpose he wrote『HARUSAMEMONOGATARI』, and what his writing meant to UEDA Akinari himself. We can see his intention for creative writing in the introduction. In this study the author's creative intention and his ‘Monogatari view’ was examined. From this point of view, we can interpret the author's intention to an imitation of Monogatari type which was based on reality arisen by the author's knowledge and belief. That is not just an imitation of a pseudo classical style novel but Monogatari. We can say that UEDA
Akinari's intention to an imitation of Monogatari type was ‘Uhigoto’, because no writers did such works with that interpretation. Also,『HARUSAMEMONOGATARI』was written by his early perception. That is, Monogatari was worthless as ‘Soragoto’, and the value of Monogatari should be based on truth and be imparted to the descendants. Therefore, we can see that he expressed
『HARUSAMEMONOGATARI』indirectly as a form of Monogatari for his ideological intention.

목차

I. 序論(서론)
II. 本論(본론)
1. 序文에 나타난 創作意圖(창작의도)
2. 秋成의 物語觀(물어관)
III. 結論(결론)

키워드

춘우물어 우월물어 만어 초사 상전추성 harusamemonogatari ugetsumonogatari soragoto uhigoto uedaakinari 春雨物語 雨月物語 寓語 初事 上田秋成

저자

  • 南澈熙 [ 남철희 | 한국관광대학 겸임교수, 일본문학 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    단국대학교 동아시아인문융복합연구소(구 단국대학교 일본연구소) [Institute for Convergent Humanities in East Asia (ICHEA)]
  • 설립연도
    1995
  • 분야
    인문학>일본어와문학
  • 소개
    일본연구소는 일본의 언어, 문학, 역사, 정치, 경제 등 인문, 사회과학의 제 분야에 관한 종합적인 연구를 통해 한국에서의 일본연구의 발전에 기여함을 목적으로 한다.

간행물

  • 간행물명
    일본학연구 [The Journal of Japanese Studies]
  • 간기
    연3회
  • pISSN
    1598-737X
  • eISSN
    2465-8448
  • 수록기간
    1997~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 730 DDC 492

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