『一夜附脚色正本』二種におけるジャンルの交錯と板元の意図 -「絵入根本風の劇書」の成立と書誌的錯綜解明に向けて-
Intersections of Genres and the Publisher’s Intentions in the Two Versions of Ichiyazuke Shigumi no Tanehon - The Formation of an “Illustrated Kabuki Script-Style” Playbook and Toward Resolving Bibliographical Confusion-
I compared shohon, shohon-utsushi-gokan, and e-iri-nehon as adjacent genres to Santei Syunba II’s “Ichiyazukeーshiguminoーtanehon”. As a result, I found two intentions of the publisher Tsutakichi in planning this work. The first was to draw on the style of his previous work, “O-kyogenーgakuyanoーhonsetsu”, which was very well received for its illustrated presentation of kabuki tricks. Second, it was to be used as a script for an amateur’s standing farce. Thus, this work combines so many different elements that it is difficult to define the genre in a single word, so I have called it an “e-iri-nehon-style playbook”. When I searched for this work, there were three works that came up. In this paper, I attempted to clarify the relationship between these three works by Syunba, whose bibliographical relationship is not clear. As a result, I raised the possibility that A “Ichiyazuke-chabanno-hinagata” was renamed B “Ichiyazuke-shigumino- tanehon” and published. And, B is an e-iri-nehon-style playbook, while C “Ichiyazuke- shigumino-tanehon Kanadehon-chushingura” is a shohon-utsushi-gokan, which is completely different in genre and content. Despite this, the three works have been introduced in previous studies in a convoluted manner. I pointed out that the publisher’s intention to promote the sales of “C” and to make it appear as if it were a series with “B” has been reflected, resulting in misreading due to confusion between “B” and “C”.
한국일본언어문화학회 [Japanese Language & Culture Association of Korea]
설립연도
2001
분야
인문학>일본어와문학
소개
본 학회는 일본어학 및 일본문학은 물론, 일본의 정치, 경제, 문화, 사회 등의 일본학 전반에 걸친 연구 및 일본의 언어, 문화를 매체로 한 한국과의 비교 연구를 대상으로 하고 있다. 본 학회는 회원들에게 연구 발표 및 정보 교환의 기회를 부여하고 나아가 한국에서의 바람직한 일본 연구 자세를 확립하는 것을 주된 목표로 하고 있다.