Earticle

초록

영어

This paper examines Harold Pinter’s Tea Party through the psychoanalytic theories of Sigmund Freud and Jacques Lacan, arguing that Robert Disson’s psychological and physical collapse is the inevitable consequence of repressed primal scene fantasies and incestuous desires returning. Although Disson masks his fundamental lack through material success and an obsessive pursuit of cleanliness, this achievement remains a precarious symbolic facade rather than a stable internalization of paternal prohibition, leaving him vulnerable to perceiving the father figure as a hostile Other. Wendy, Diana, and Willy disrupt this fragile balance by reactivating his repressed desires within a threatening Oedipal structure, and at the tea party this conflict reaches its peak, where civilized restraint gives way, reality and fantasy become indistinguishable, and Disson is overwhelmed by castration anxiety and guilt. Ultimately, as the Symbolic order he once relied upon collapses, he surrenders his visual and bodily autonomy to an overwhelming resurgence of imaginary fusion and primal fantasy, succumbing to a primordial jouissance that brings about the complete breakdown of his subject identity.

목차

I. 서론
II. 원장면 트라우마와 상징적 정체성의 붕괴
1. 상징적 정체성의 구축_디슨
2. 상징적 아버지의 표상_윌리
3. 욕망의 귀환_다이애나와 웬디
4. 원장면 트라우마의 발현
5. 오이디푸스적 삼각구도의 형성
6. 원장면적 환상과 상징적 정체성의 붕괴
III. 결론
Works Cited
Abstract

키워드

저자

• 신희원 [ Shin, Hui-Won | 장안대학교 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  영어영문학연구 [The Jungang Journal of English Language and Literature]

• 간기

  계간

• pISSN

  1598-3293

• 수록기간

  1968~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 840 DDC 810