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異類の嫁入物黄表紙における市場通笑の作風考-南仙笑楚満人との比較を通して-
About the style of Ichiba Tsusho in the different kind of Kibyoshi of marriage stories -Through a comparison with Nansensho Somahito -

첫 페이지 보기
  • 발행기관
    한국일본언어문화학회 바로가기
  • 간행물
    일본언어문화 KCI 등재 바로가기
  • 통권
    제74집 (2026.04)바로가기
  • 페이지
    pp.191-214
  • 저자
    康志賢
  • 언어
    일본어(JPN)
  • URL
    https://www.earticle.net/Article/A489842

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원문정보

초록

한국어
In this paper, based on the results of my previous articles, I have attempted to derive the style of Ichiba Tsusho by taking up Tsusho’s three works ①“Hideriame- kitsuneno-yomeiri”, ③“Chinno Yomeiri”, and ④“Saruokosama-onnozominichuki- nekonoyomeiri” in the genealogy of intermarriage of different kinds of marriage stories and two works ⑮“Hideriame-kitsuneno-yomeiri” and ⑯“Oborozuki- nekonoyomeiri” by Nansensho Somahito and discussing their interrelationships. I first focused on ③ and then took up ④ for comparison. As a result, I concluded that the former was unique and the latter was universal as a marriage stories. It is because of this individuality that Ota Nanpo appreciated ③, and no other author, including Tsusho himself, has been able to carry on the style of ③ since then. The special ideas attempted in ③ is all but eliminated in ④, and the universal ideas of ④ is carried over as the authority for the Somahito’s ⑯. In addition, in Tsusho’s maiden work ①, there are many creative scenes that have nothing to do with traditional wedding ceremonies, and this tendency deepens further in ③, Tsusyo’s second novel about the different kind of marriage stories. However, in ④, it was transformed into a work with universality and became a form of marriage stories from then on, and its significance in the literary history of Tsusyo’s marriage stories can be read. And Somahito, who was influenced by Tsusho’s work, had a typical image of traditional rituals, so similarities can be found in ⑮ and ⑯. However, since there is no common point in the sentence expression, it was not recognized that ⑮ and ⑯ had a rehash relationship. In the first place, wedding customs do not change so much, and it seems that the pattern is fixed, so the universal “Kusazoshi of marriage stories” continued for a long time until the early Meiji period. The beginning of that was probably provided by Tsusho’s ④.

목차

1.緒言:『去ル御子様/御望ニ付・猫嫁入』の先行作と継承作
2. 構成比較表および先行研究
3. 『狆の娵入』と『去ル御子様/御望ニ付・猫嫁入』の類型的な風俗
3.1 類型的な嫁入風俗の類似点を中心に
3.1.1 嫁の輿入れ行列
3.1.2 出産
3.1.3 献立の準備
3.2 類型的な嫁入風俗の相違点を中心に
3.2.1 嫁道具送りの行列
3.2.2 祝言
3.2.3 宮参り
4. 通笑と楚満人の作風
4.1 通笑作『日照雨狐之嫁入』・『狆の娵入』・『去ル御子様/御望ニ付・猫嫁入』
4.2 楚満人作『五風十雨狐娶入』・『朧月猫の嫁入』
4.3 通笑作『去ル御子様/御望ニ付・猫嫁入』と楚満人作『朧月猫の嫁入』の特徴
5. 結語
【参考文献】

저자

  • 康志賢 [ 강지현 | 全南大学校 国際学部日本学専攻 教授 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    한국일본언어문화학회 [Japanese Language & Culture Association of Korea]
  • 설립연도
    2001
  • 분야
    인문학>일본어와문학
  • 소개
    본 학회는 일본어학 및 일본문학은 물론, 일본의 정치, 경제, 문화, 사회 등의 일본학 전반에 걸친 연구 및 일본의 언어, 문화를 매체로 한 한국과의 비교 연구를 대상으로 하고 있다. 본 학회는 회원들에게 연구 발표 및 정보 교환의 기회를 부여하고 나아가 한국에서의 바람직한 일본 연구 자세를 확립하는 것을 주된 목표로 하고 있다.

간행물

  • 간행물명
    일본언어문화 [Journal of japanese Language and Culture]
  • 간기
    계간
  • pISSN
    1598-9585
  • 수록기간
    2002~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 730 DDC 495

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