Earticle

초록

영어

This article examines the representation of Korea in the special war supplements of Fūzoku Gahō, Japan’s earliest illustrated magazine, during the Sino-Japanese War (1894~1895). It argues that the transition from Nisshin Sensō Zue to Seishin Zue marked a structural shift from sequential battle reportage to a retrospective narrative framing that positioned the war as historically grounded and inevitable. Through the concept of “unfinished dream” (Zanmu), earlier political crises—particularly the 1884 Gapsin Coup—were reinterpreted not as concluded events but as unresolved conditions extending into the present, allowing the war to be cast as the completion of an unfinished past. At the same time, visual strategies derived from the Japanese tradition of Meisho-e (illustrations of famous places) were extended to Seoul, reorganizing it from a site of military action into a legible and ordered urban landscape through changes in scale, framing, and editorial juxtaposition. By foregrounding these spatio-temporal reconfigurations, this study suggests that illustrated magazines in modern Japan did not simply report wartime events but actively shaped narrative continuity and spatial intelligibility, integrating foreign space and historical memory into an emerging imperial visual order.

목차

1. はじめに
2. 『日清戦争図絵』から『征清図絵』へ：朝鮮の焦点化と再定位
3. 未完の過去はいかに完成されたか：｢残夢｣をめぐる時間構造
4. 朝鮮風景はいかに再編成されたか：｢名所絵｣の転用
5. おわりに
【参考文献】

키워드

저자

• 向偉 [ 향위 | 中国･北京大学東方文学研究センター 助理研究員 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  일본언어문화 [Journal of japanese Language and Culture]

• 간기

  계간

• pISSN

  1598-9585

• 수록기간

  2002~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 730 DDC 495