Earticle

초록

영어

This study examines the representation of focalization in literary translation through a comparative analysis of two Korean translations of Xiao Hong’s Tales of Hulan River. The novel constructs a distinctive narrative structure through the interaction of omniscient narration, child-centered narration, and retrospective narration by the adult “I.” Drawing on narratological theories of focalization, this study analyzes how shifts in narrative perspective emerge in the process of translation and how such shifts influence readers’ perception of the text. The analysis shows that the overall focalization structure is largely maintained in translation, but noticeable shifts occur in narrative distance, discourse mode, explanatory expressions, and the representation of perception. In several cases, the child narrator’s intuitive and fragmentary perception is reconstructed into a more explanatory and coherent form, while the retrospective distance of the adult narrator is also partially adjusted in translation. As a result, subtle changes occur in the emotional tone, narrative atmosphere, and aesthetic effects experienced by readers. This study argues that focalization is not only a major narrative device in literary fiction but also an important issue in literary translation. The representation of focalization in translation plays a significant role in reconstructing narrative perception and literary style in translation.

목차

1. 서론
2. 이론적 배경
2.1. 시점과 초점화
2.2. 시점의 번역
3. 텍스트 분석
3.1. 작품 소개
3.2. 사례 분석
3.2.1. 전지적 서술자의 서술
3.2.2. 어린 ‘나’를 중심으로 한 서술
3.2.3. 성인 ‘나’를 중심으로 한 회고적 서술
4. 결론
참고문헌

키워드

저자

• 하산 [ He, Shan | 한국외국어대학교 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  통번역학연구 [Interpreting and Translation Studies]

• 간기

  계간

• pISSN

  1975-6321

• eISSN

  2713-8372

• 수록기간

  1997~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 717 DDC 400