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Interpreting the Parable of the Return of the Prodigal Son in Luke 15:11-32 through Paintings by Rembrandt Harmenszoon van Rijn, Giovanni Francesco Barbieri, and Bartolomé Esteban Murillo

첫 페이지 보기
  • 발행기관
    한국실천신학회 바로가기
  • 간행물
    신학과 실천 KCI 등재 바로가기
  • 통권
    제100호 (2026.07)바로가기
  • 페이지
    pp.35-59
  • 저자
    Han, Woo-Ri
  • 언어
    영어(ENG)
  • URL
    https://www.earticle.net/Article/A488491

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원문정보

초록

영어
This paper explores the theological interpretation of the biblical parable of the prodigal son in the Gospel of Luke through the lens of visual arts. Traditionally, biblical interpretation has relied heavily on textual and literary hermeneutics. However, this study argues that interpreting scriptures exclusively through written texts limits the richness of biblical understanding. By examining the concept of theological images and the aesthetic act of seeing, the research demonstrates how artworks serve as profound confessions of faith and offer unique hermeneutical insights. The study structurally analyzes the narrative of this chapter, delineating the distinct characteristics of the merciful father, the repentant younger son, and the resentful older brother. Subsequently, it scrutinizes and compares the masterpieces of three prominent painters: Rembrandt, Guercino, and Murillo. Each artist highlights different theological dimensions of the same biblical narrative. Rembrandt portrays the profound themes of repentance and unconditional forgiveness, vividly captured through the varied expressions of hands and posture. Guercino focuses predominantly on the restoration of the returned identity and status, emphasizing the symbolic garments and ring while deliberately omitting the older brother. Finally, Murillo accentuates a warm atmosphere of love, joy, and celebration, depicting a harmonious reunion surrounded by numerous characters anticipating the upcoming feast. Ultimately, this paper concludes that integrating visual arts into traditional biblical hermeneutics significantly enriches theological comprehension. It reveals that incorporating paintings provides invaluable resources for effective preaching and fosters a much deeper spiritual engagement for modern audiences seeking profound religious truth.

목차

I. Introduction
II. Theological Image
III. Analyzing the structure Luke 15
IV. Analyzing the Artworks of the “Return of the Prodigal Son” from three varied perspectives: Rembrandt Harmenszoon van Rijn, Giovanni Francesco Barbieri, and Bartolomé Esteban Murillo
V. Comparing and Analyzing the Text and Paintings
VI. Conclusion
Bibliography
Abstract

저자

  • Han, Woo-Ri [ Hansei University ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    한국실천신학회 [The Korean Society for Practical Theology]
  • 설립연도
    1997
  • 분야
    인문학>기독교신학
  • 소개
    본회는 전국 각 신학대학 및 각 신학교 실천신학 교수 및 실천신학을 전공한 목회자들이 함께 모여 순수한 학문적인 연구와 인격적인 친교를 도모하며, 실천신학의 학술정보를 교류함과 동시에 교회와 지역사회 및 국내외 신학교육 발전에 이바지함을 목적으로 한다.

간행물

  • 간행물명
    신학과 실천 [Theology and Praxis]
  • 간기
    연5회
  • pISSN
    1229-7917
  • 수록기간
    1997~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 230 DDC 230

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