This study examines how the concept of naturalism formulated by Emile Zola was transformed through its reception in Japan and how that transformed discourse was critically appropriated by Lu Xun.Unlike Western literary movements, which developed gradually through succession and reaction, East Asian literary modernity emerged through the rapid reception and selective adaptation of Western ideas in the early twentieth century.
In China, Western literary thought was introduced not directly but through Japan and was reconfigured according to local historical and social conditions.
Realism shaped modern literary consciousness and later developed into naturalism, whose theoretical foundation can be traced to Zola’s conception of literature as an experimental field for observing society. When naturalism entered Japan, however, it underwent significant transformation and developed into a confessional mode of writing centered on the exposure of private life and inner consciousness. The publication of The Quilt by Tayama Katai and The Broken Commandment by Shimazaki Toson marked the consolidation of this tendency.
Lu Xun encountered Japanese naturalism during his years of study in Japan from 1902 to 1909, but he did not simply adopt its confessional orientation and instead redirected techniques of naturalistic description toward a broader diagnosis of national and social crisis.
In his literary practice, individual pathology became a symptom of collective spiritual paralysis and historical conditions, and naturalism in modern Chinese literature developed in close interaction with realism, enlightenment discourse, and critical social criticism.
In the late 1920s, Lu Xun turned from fiction to essays and emphasized direct social criticism and ethical intervention, while the Chinese scholar Cheng Fangyu identified him as a naturalist writer.
This study argues that the naturalistic elements in Lu Xun’s writings should be understood not as formal affiliation with a fixed literary school, but as historically transformed literary strategies shaped by the intellectual and social conditions of modern China.
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.