섬진강 재첩잡이 전통어업유산의 디지털 융합관광 체험모형 연구
A Study on a Digitally Integrated Tourism Experience Model for the Seomjingang River Jaecheop Clam Harvesting Fisheries Heritage
The Hadong-Gwangyang Seomjingang River Jaecheop hand-gathering fishery, a clam-harvesting tradition of over 110 years, was designated Korea’s 7th Nationally Important Fisheries Heritage (2018) and became the first Korean fishery inscribed on FAO’s Globally Important Agricultural Heritage Systems (GIAHS, 2023). Yet amid an aging fishing population and declining resources, its tourism-resource development remains limited. This study proposes a digitally integrated tourism experience model by combining Milgram and Kishino’s (1994) Reality-Virtuality Continuum with Pine and Gilmore’s (1999) Four Realms of Experience (4Es), two frameworks from separate lineages (computer science/HCI and management/tourism) that no prior study within this review’s scope had explicitly mapped together. The resulting SRCH-DCTEM (Seomjin River Clam Harvesting?Digital Convergence Tourism Experience Model) comprises three axes: MR-based 4Es content, a smart-tourism platform spanning pre-visit, on-site, and post-visit phases, and an Emotional Experience Design layer. Each experience is matched to its optimal medium along the MR continuum (Education→AR, Entertainment and Aesthetic→MR, Escapist→VR), implemented through a three-stage roadmap. The study further specifies the social conditions for sustainable operation, including the digital adoption of fishers and dure communities, coordination with active fishing zones, and community governance. As a modular framework, the model is transferable to other Nationally Important Fisheries Heritage and to GIAHS fisheries abroad, such as Japan’s Nagaragawa Ukai and China’s Qingtian rice-fish system. As a conceptual, literature-based proposal, it leaves empirical validation and economic feasibility to future research.
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.