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从舞台到银幕：电影 ≪只此青绿≫ 对舞蹈诗剧的跨媒介改编与重构
From Stage to Screen: The Cross-Media Adaptation and Reconstruction of the Dance Poetry Drama A Tapestry of a Legendary Land

첫 페이지 보기
  • 발행기관
    부산대학교 중국전략연구소(구 부산대학교 중국연구소) 바로가기
  • 간행물
    Journal of China Studies KCI 등재 바로가기
  • 통권
    제29권 2호 (2026.06)바로가기
  • 페이지
    pp.165-179
  • 저자
    任默含, 崔祯仁
  • 언어
    중국어(CHI)
  • URL
    https://www.earticle.net/Article/A487153

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원문정보

초록

영어
The Chinese dance poetry drama takes as its narrative thread the painting created by Wang Ximeng, a young painter of the Northern Song Dynasty. Through the medium of stage art, it recreates the process of the painting’s creation, enabling the widespread popularization of the classical Chinese painting technique and aesthetic concept of ”green mountains and clear waters.” This has significantly stimulated public interest in and identification with Song Dynasty aesthetics and traditional Chinese culture. Since its premiere in 2021, the production has generated a theatrical sensation across China, with tickets frequently selling out—forming a phenomenon of cultural viewing. As of January 2026, has embarked on a global tour, with over 860 performances to date. It has achieved notably high attendance rates in countries and regions including the United States, Canada, Russia, Singapore, and Turkey, earning widespread acclaim from international critics. Alongside its commercial success, has also received extensive professional recognition, having been honored with multiple national authoritative awards, including China’s 17th Wenhua Award, the 13th China Dance Lotus Award for Dance Drama, and the 16th Spiritual Civilization Construction “Five One Project” Excellent Work Award. It has thus become an exemplary work in the realm of Chinese dance drama, distinguished by both artistic merit and market appeal. Building upon the work’s significant cultural influence, directors Zhou Liya and Han Zhen have furthered its cross-media transformation through cinematic adaptation, extending the stage production to the screen. This adaptation process deeply integrates Eastern classical aesthetics with modern audiovisual language, enabling the extension and reconstruction of dramatic elements within the context of film and television. This article systematically explores the internal mechanisms and aesthetic enhancement pathways in the fusion of stage and screen arts by analyzing its visual presentation strategies, musical application, narrative structural transformation, and thematic deepening. The study finds that the cinematic adaptation of successfully achieves cross-media transformation, not only preserving and intensifying the artistic and cultural value of the original work but also providing a new paradigm for the innovative expression of traditional culture within contemporary artistic contexts. At the same time, the article reflects on the limitations and challenges encountered during the adaptation process, offering theoretical reference and directional guidance for related artistic practices. This case study holds significant academic value and practical relevance for understanding the evolution of contemporary art forms and the innovative dissemination of traditional Chinese culture within modern media ecosystems.

목차

Abstract
1. 引言
2. ≪只此青绿≫ 的跨媒介改编路径与总体特征
3. ≪只此青绿≫ 的跨媒介叙事重构分析
3.1 叙事结构的重构方式
3.2 双重视角与章节结构的叙事机制重构
3.3 视觉呈现中的视听语言重构
3.4 音乐处理的特点
4. 主题表达的深化与思考
4.1 主题表达
4.2 舞台与影视交融的反思
5. 结论
参考文献

키워드

Dance Poetry Drama Film Adaptation Dramatic Elements Cross-Media Narrative Traditional Culture Innovation

저자

  • 任默含 [ 임묵함 | 中央大学尖端影像大学院 ]
  • 崔祯仁 [ 최정인 | 中央大学尖端影像大学院 ] Corresponding Author

간행물 정보

발행기관

  • 발행기관명
    부산대학교 중국전략연구소(구 부산대학교 중국연구소) [Institute of China Strategy]
  • 설립연도
    2006
  • 분야
    사회과학>사회복지학
  • 소개
    본 연구소의 설립을 통해 우선 한중 양국 국민의 상호이해와 교류증진을 위한 인문, 사회과학적인 연구는 물론이고, 이를 통해 기업(인)이 중국에 안정적인 정착과 교류를 할 수 있는 각종 환경을 조성하고자 한다. 게다가 본 연구소는 기존의 연구소의 기능과는 달리 단순한 학술 교류에 머물지 않고 인적 교류를 통해 양국관계의 이해를 증진하고 나아가 한국과 중국의 각종 프로젝트를 적극 유치, 개발함으로써 지속적으로 재원의 창출을 도모하고자 한다.

간행물

  • 간행물명
    Journal of China Studies
  • 간기
    계간
  • pISSN
    1975-5902
  • eISSN
    3022-5590
  • 수록기간
    2006~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 912 DDC 951

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