Earticle

초록

영어

This paper reconsiders John Keats’s Endymion through Mikhail Bakhtin’s theories of the chronotope and the author-hero relationship. It argues that the poem deliberately adopts the defining features of ancient Greek romance in three respects: a predominantly private and inward-oriented hero motivated by love, an expansive and interchangeable spatial field that enables continual wandering, and an “adventure-time” that produces no lasting biographical or developmental change despite the hero’s long journeys. At the same time, Endymion transforms this convention from within by foregrounding authorial consciousness. Through the heightened presence of the narrator, the poem introduces a dynamic oscillation between narrative immersion and Bakhtinian outsideness, allowing the hero’s experiences to be aesthetically organized and meaningfully reframed. The final episode of the Indian Maiden introduces a direct and irreversible experience, so that maturation emerges not from a predetermined reunion but from ethical choice and responsibility. Endymion thus appears not merely as a youthful apprenticeship but as a deliberate narrative experiment that reconfigures the limits of romance through authorial self-consciousness.

목차

I. 서론
II. 바흐친의 크로노토프 이론과 『엔디미언』의 시공간
III. 바흐친의 작가-영웅 이론으로 본 서술 의식의 성장
IV. 결론
Works Cited
Abstract

키워드

저자

• 김연규 [ Kim, Yeon-Gyu | 강원대학교 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  영어영문학연구 [The Jungang Journal of English Language and Literature]

• 간기

  계간

• pISSN

  1598-3293

• 수록기간

  1968~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 840 DDC 810