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하기와라 사쿠타로(萩原朔太郎)의 사진 체험과 예술사진의 시적 구현
Hagiwara Sakutaro's Photographic Experience and the Poetic Realization of Fine Art Photography

첫 페이지 보기
  • 발행기관
    동북아시아문화학회 바로가기
  • 간행물
    동북아 문화연구 KCI 등재 바로가기
  • 통권
    제86집 (2026.03)바로가기
  • 페이지
    pp.295-314
  • 저자
    최호영
  • 언어
    한국어(KOR)
  • DOI
    https://doi.org/10.17949/jneac.1.86.202603.016
  • URL
    https://www.earticle.net/Article/A483672

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초록

영어
This article aims to reveal the true nature of the photographic experience that Sakutaro, a representative poet of modern Japan, took a special interest in, and to examine what aesthetic principles he attempted to implement in his poetry based on this experience. It is known that Sakutaro began taking photographs in his third year of middle school, which could be considered his literary starting point, and devoted his life to photography. Accordingly, this article, drawing on Sakutaro's writings on photography and printed photographs, seeks to illuminate the connections between his photographic experiences and the contemporary Japanese Geijutsu Shashin(Fine Art Photography) movement. Furthermore, it examines how his photographic methods shaped the aesthetic principles of his poetry. First, in terms of landscape photography, Sakutaro utilized the soft focus technique of Fine Art Photography to contrast the foreground, which represents reality, with the distant, which represents the ideal, thereby pursuing a nostalgia for the ideal. This led to his poetry, which, through themes of ‘melancholy’ and ‘wandering’, creates a nostalgia for a distant ideal that cannot be reached, yet inevitably leads to a constant search for it. Second, in terms of portrait photography, Sakutaro sought to express the inner psychology of subjects caught between the ideal and the real by showing them gazing into the distance or projecting an objectified self onto specific subjects. This aspect manifests in his poetry as a ‘shadow’?a self torn between the ideal and the real?and serves as a foundation for the creation of diverse self-images, such as ‘horse’ and ‘dog’. Therefore, this article is significant in that it reveals that Sakutaro's photographic experience served as an important foundation for his poetic activities, and that this was the basis for his unique aesthetic surrounding nostalgia and self.

저자

  • 최호영

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    동북아시아문화학회 [The Association of North-east Asian Cultures]
  • 설립연도
    2000
  • 분야
    복합학>학제간연구
  • 소개
    동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.

간행물

  • 간행물명
    동북아 문화연구 [Journal of North-east Asian Cultures]
  • 간기
    계간
  • pISSN
    1598-3692
  • 수록기간
    2001~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 910 DDC 950

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