Earticle

초록

영어

This article reexamines Natsume S?seki’s intellectual trajectory through the concept of “spiritual pilgrimage.” In this study, spiritual pilgrimage does not refer to movement toward a sacred destination or religious conversion, but to recurring processes of cognitive displacement triggered by the anxiety of the modern self. From this perspective, angya (itinerancy), hi-ninj? (non-human sentiment), and sokuten kyoshi (following Heaven and relinquishing the self) are understood not as chronological stages but as overlapping modes of thought mobilized under different conditions of crisis. The study first interprets S?seki’s angya as an aesthetic form of observation that juxtaposes landscapes and sensory impressions encountered through movement. It then examines hi-ninj? in Kusamakura as a cognitive attitude that suspends human sentiment and enables the contemplation of nature and objects. Within this framework emerges the world of mono, understood as the sensory presence of natural and material phenomena beyond human interests. Finally, through S?seki’s Zen experience in Kamakura and the poems written after his severe illness at Sh?zenji, the article argues that sokuten kyoshi represents not religious enlightenment but an ethical orientation that regulates the self under unresolved conditions. S?seki’s spiritual pilgrimage thus remains fundamentally unfinished. English abstract must be written in at least 20 lines. Currently, there are 17 lines. Please fill out more. Please make sure to write it. Please don't forget to write it. You must fill it out additionally.

저자

• 정승운

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  동북아 문화연구 [Journal of North-east Asian Cultures]

• 간기

  계간

• pISSN

  1598-3692

• 수록기간

  2001~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 910 DDC 950