This study aims to identify research trends in the Chinese art market through keyword co-occurrence network analysis. Using the CiteSpace software, 363 academic articles related to the Chinese art market published between 1989 and 2024 were retrieved from CNKI. Keyword network analysis was subsequently conducted, and the results were visualized. The findings indicate that research trends in the Chinese art market can be summarized into three main aspects. First, existing studies have primarily developed around five core keywords?“art market”, “contemporary art”, “artworks”, “market” and “art”. Major research themes include the operational mechanisms of the art market, the interaction between creative tendencies in contemporary art and market acceptance, and pricing models and value evaluation systems for artworks. In particular, research on the calligraphy market remains relatively limited, and quantitative price analyses comparable to those conducted in the fields of oil painting and Chinese painting (guohua) have not been sufficiently developed. Second, a synthesis of burst keyword analysis and keyword timeline network analysis reveals that digital technology and artificial intelligence have emerged as key variables in art market research, expanding related discussions, while “globalization” has become an issue that has received sustained academic attention in recent years. Third, from the perspective of developmental trends, this study categorizes research on the Chinese art market into three stages: the formative period (1989?2003), the period of rapid development (2004?2014), and the period of in-depth development (2015?2024). Based on these analytical results, suggestions for future research are proposed.
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.