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Deleuze’s Film Color Theory in the AI Era : From Sensory-Motor to Time

첫 페이지 보기
  • 발행기관
    한국정보기술응용학회 바로가기
  • 간행물
    JITAM 바로가기
  • 통권
    Vol.33 No.1 (2026.02)바로가기
  • 페이지
    pp.87-106
  • 저자
    Jong-Guk Kim
  • 언어
    영어(ENG)
  • URL
    https://www.earticle.net/Article/A481507

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초록

영어
This study presents a comprehensive analysis of Deleuze's theory of film color and identifies it as a philosophical operator within his taxonomy of images. By adopting Deleuze's philosophical concepts as an analytical framework, the research traces the evolution of the function of color through three distinct stages. First, it examines the affection-image in Michelangelo Antonioni’s films, then explores the logic of sensation in Jean-Luc Godard’s works, and finally analyzes the crystal-image in Alfred Hitchcock’s Vertigo. The study argues that color acts as a critical agent that facilitates the transition from the movement-image regime, which is governed by the sensory-motor schema, to the time-image regime. This research posits that the rise of Generative AI completes Deleuze's philosophical trajectory. The study analyzes AI-generated videos through specific criteria such as probabilistic color distribution, AI-specific any-space-whatever, and temporal hallucination. Through this analysis, it demonstrates that AI images are decoupled from any sensory-motor schema and therefore function as the purest form of the logic of sensation and the crystal-image. Deleuze's color theory provides a vital theoretical tool for elucidating the aesthetic and ontological nature of AI-generated video in the field of contemporary media studies.

목차

Abstract
1. Introduction
1.1 Background of the Study
1.2 Necessity of the Study
1.3 Research Purpose and Content
2. Theoretical Background
2.1 Deleuze Taxonomy of Images: Movement-Image and Time-Image
2.2 Goethe Theory of Colors and AI Probabilistic Color Generation
2.3 Bergson Ontology and AI as Non-Camera Image
2.4 The Logic of Sensation: Francis Bacon Painting
3. Research Methodology
4. Research Findings
4.1 Cracks in the Sensory-Motor Schema: Color as Affection-Image
4.2 The Liberation of Sensation: Color as Haptic Force
4.3 The Crystallization of Time: Color as Medium of Virtuality
4.4 The Color-Image in the AI Era: A Catalyst for Thought
5. Discussion
6. Conclusion and Suggestions
6.1 Conclusion
6.2 Suggestions for Future Research
References

저자

  • Jong-Guk Kim [ Professor, BaekSeok University, Division of Culture & Arts, Dongnam-gu, Cheonan-si, Chungnam ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    한국정보기술응용학회 [The Korea Society of Information Technology Applications]
  • 설립연도
    1999
  • 분야
    사회과학>경영학
  • 소개
    본 학회는 정보기술 관련 분야의 연구 및 교류를 촉진하여 국가 및 기업정보화 발전에 공헌함을 그 목적으로 한다.

간행물

  • 간행물명
    JITAM [Journal of Information Technology Applications and Management]
  • 간기
    격월간
  • pISSN
    1598-6284
  • eISSN
    2508-1209
  • 수록기간
    1999~2026
  • 십진분류
    KDC 005 DDC 005

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