This study presents a comprehensive analysis of Deleuze's theory of film color and identifies it as a philosophical operator within his taxonomy of images. By adopting Deleuze's philosophical concepts as an analytical framework, the research traces the evolution of the function of color through three distinct stages. First, it examines the affection-image in Michelangelo Antonioni’s films, then explores the logic of sensation in Jean-Luc Godard’s works, and finally analyzes the crystal-image in Alfred Hitchcock’s Vertigo. The study argues that color acts as a critical agent that facilitates the transition from the movement-image regime, which is governed by the sensory-motor schema, to the time-image regime. This research posits that the rise of Generative AI completes Deleuze's philosophical trajectory. The study analyzes AI-generated videos through specific criteria such as probabilistic color distribution, AI-specific any-space-whatever, and temporal hallucination. Through this analysis, it demonstrates that AI images are decoupled from any sensory-motor schema and therefore function as the purest form of the logic of sensation and the crystal-image. Deleuze's color theory provides a vital theoretical tool for elucidating the aesthetic and ontological nature of AI-generated video in the field of contemporary media studies.
목차
Abstract 1. Introduction 1.1 Background of the Study 1.2 Necessity of the Study 1.3 Research Purpose and Content 2. Theoretical Background 2.1 Deleuze Taxonomy of Images: Movement-Image and Time-Image 2.2 Goethe Theory of Colors and AI Probabilistic Color Generation 2.3 Bergson Ontology and AI as Non-Camera Image 2.4 The Logic of Sensation: Francis Bacon Painting 3. Research Methodology 4. Research Findings 4.1 Cracks in the Sensory-Motor Schema: Color as Affection-Image 4.2 The Liberation of Sensation: Color as Haptic Force 4.3 The Crystallization of Time: Color as Medium of Virtuality 4.4 The Color-Image in the AI Era: A Catalyst for Thought 5. Discussion 6. Conclusion and Suggestions 6.1 Conclusion 6.2 Suggestions for Future Research References