Earticle

초록

영어

This article examines clothing in The Adventures of Tintin from a semiotic perspective, considering dress as a system of signs embedded in the visual logic of comics. Building on Pierre Fresnault-Deruelle’s pioneering studies (1976, 1999, 2002, 2006, 2012) and later contributions by scholars such as Groensteen, Marion, and Floch, the analysis explores how the aesthetics of the ligne claire transform garments into both narrative and symbolic operators. The results identify seven functional categories of dress—core attire, everyday wear, professional/functional outfits, disguises, cultural costumes, ceremonial garments, and altered clothing—which serve as identity anchors, indicators of action, or markers of cultural otherness. Tintin’s consistent base attire ensures visual coherence, while subtle variations introduce narrative nuance and contextual adaptation. The study concludes that clothing in Hergé’s work is far from decorative; it functions as a central semiotic device whose stability and transformations reinforce the character’s iconicity and his status as a timeless cultural hero.

목차

Abstract
1. Theoretical Framework
2. Results
2.1 Basic Attire or Constant Visual Identity
2.2 Casual or Street Attire
2.3 Professional or Functional Attire
2.4 Disguises or Camouflage Attire
2.5 Traditional or Cultural Attire
2.6 Ceremonial or Ritual Attire
2.7 Altered Attire: Damage, Climate, and Transformation
3. Analysis and Discussion
4. Conclusions
References

키워드

저자

• Marina Bargón García [ University of Oviedo, Spain ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  에피스테메 [EPISTÉMÈ]

• 간기

  계간

• pISSN

  1976-9660

• 수록기간

  2007~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 331.05 DDC 301