Earticle

현재 위치 Home

Culture Information Technology (CIT)

Narrative Closure in South Korean War Films Since 2000 : Closed Text and Open Story

첫 페이지 보기
  • 발행기관
    국제인공지능학회(구 한국인터넷방송통신학회) 바로가기
  • 간행물
    The International Journal of Advanced Smart Convergence 바로가기
  • 통권
    Volume 14 Number 3 (2025.09)바로가기
  • 페이지
    pp.245-255
  • 저자
    Jongguk Kim
  • 언어
    영어(ENG)
  • URL
    https://www.earticle.net/Article/A474331

※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.

원문정보

초록

영어
This paper investigates the narrative ending structures of six major South Korean films about the Korean War produced since 2000, a period in which the genre has shifted from Cold War anti-communist ideology to a perspective framing the conflict as a national tragedy. As the Korean War remains a historically unresolved event, concluded by an armistice rather than a peace treaty, this study focuses on how these films strategically employ narrative closure. Using the theoretical frameworks of Roland Barthes’s narrative codes (hermeneutic and proairetic) and Richard Neupert’s typology of film endings, this paper analyzes the micro-level mechanics and macro-level structures of cinematic closure. The analysis reveals two opposing strategies. The first is the closed textstructure, seen in films like Taegukgi: The Brotherhood of War, 71: Into the Fire, and Operation Chromite. These films provide ideological certainty and emotional catharsis by framing tragic sacrifices within a nationalistic context or constructing heroic myths, thereby offering a definitive meaning to the historical trauma. The second strategy is the open story structure, employed by films such as Welcome to Dongmakgol, The Front Line, and The Battle of Jangsari. Through ambiguity, unresolved questions, and nihilistic circularity, these narratives critique the absurdity of war, challenge official histories, and leave the ethical task of memory and commemoration to the audience. Ultimately, this paper contends that these ending structures are not mere aesthetic choices but active strategic devices that reflect South Korean society’s complex and ongoing negotiation with its unresolved national trauma, historical memory, and ideological conflicts.

목차

Abstract
1. Introduction
2. Theoretical Framework
3. Analysis
3.1 The Tragic Disclosure of Truth in Taegukgi: The Brotherhood of War
3.2 The Creation of Heroic Myth in 71: Into the Fire and Operation Chromite
3.3 The Utopian Escape of Welcome to Dongmakgol
3.4 The Nihilism and Oblivion of The Front Line and The Battle of Jangsari
4. Conclusion
Acknowledgement
References

키워드

Korean War Film Narrative Closure Ending Structure Closed Text and Open Story Ideology Trauma

저자

  • Jongguk Kim [ Professor, Division of Culture &Arts, Baekseok University, Korea ] Corresponding Author

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    국제인공지능학회(구 한국인터넷방송통신학회) [The International Association for Artificial Intelligence]
  • 설립연도
    2000
  • 분야
    공학>전자/정보통신공학
  • 소개
    인터넷방송, 인터넷 TV , 방송 통신 네트워크 및 관련 분야에 대한 국내는 물론 국제적인 학술, 기술의 진흥발전에 공헌하고 지식 정보화 사회에 기여하고자 한다.

간행물

  • 간행물명
    The International Journal of Advanced Smart Convergence
  • 간기
    계간
  • pISSN
    2288-2847
  • eISSN
    2288-2855
  • 수록기간
    2012~2025
  • 십진분류
    KDC 326 DDC 380

이 권호 내 다른 논문 / The International Journal of Advanced Smart Convergence Volume 14 Number 3

    피인용수 : 0(자료제공 : 네이버학술정보)

    함께 이용한 논문 이 논문을 다운로드한 분들이 이용한 다른 논문입니다.

      페이지 저장