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국악(인)은 왜 화성을 거부하는가?: 한국 음악론의 중체서용(中體西用)적 이데올로기의 한계와 예술제도론적 관점에서 ‘국악-작곡-화성’ 담론을 중심으로
Why does Korean traditional music reject harmony?: Based on the Korean Traditional Music-Composition-Harmony Discussion from the Limitations of the 中體西用 Ideology of Korean Music Theory and the Art Institutional Perspective
원문정보
초록
- 한국어
- Harmony is a characteristic of Western music, and in comparison, Korean traditional music, that is, ‘國樂:(Kugak)’, it is explained with a variety of melodies, rhythms, or colorful beats/rhythm. However, when speaking about music or the unique characteristics of a specific genre, it cannot be defined under the conditions such as the presence or absence of harmony. The characteristics of ‘洋樂(Western Music)’ that Korean traditional musicians usually refer to Western music and most of the laws that define it are bound to limit and avoid the diversity of numerous ‘Western’ music. In the definition of the other ‘洋樂’ and the concept of harmony set by Korean traditional music people, only ‘The Common Practice Period’ Harmony can be recalled. Contradictively, Western materials are sometimes used to modernize Korean classical music and its spirit. On the surface, the idea of 中體西用 has this logic, but at this time, it can lead to a contradiction that excludes the mental elements that support the material civilization of the West. The problem is that the Korean traditional music industry introduces so-called classical music as if it were the whole of Western music, and that the curriculum permits only the pre-19th-century harmony grammar of Europe, which is more of a state-set coercion than the choices and judgments of individual musicians and the public. Therefore, jazz, rock, and pop (so-called popular music in general) patterns are very scattered in our daily lives, but they are not well mentioned, at least in teaching tables and University. I argue that the poorness of Korean traditional music, the restrictions on harmony, and the institutional ideology that enforces the situation strongly limit the possibility of creating Korean traditional music. And this view is constantly being reproduced by domestic academic traditions and institutions, entrance examination guidelines for selecting college students, and academia.
저자
간행물 정보
발행기관
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- 발행기관명
- 동북아시아문화학회 [The Association of North-east Asian Cultures]
- 설립연도
- 2000
- 분야
- 복합학>학제간연구
- 소개
- 동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.
간행물
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- 간행물명
- 동북아 문화연구 [Journal of North-east Asian Cultures]
- 간기
- 계간
- pISSN
- 1598-3692
- 수록기간
- 2001~2026
- 등재여부
- KCI 등재
- 십진분류
- KDC 910 DDC 950
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