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샤니 무투의 『세레우스꽃은 밤에 피네』에 나타난 자연스러움의 해체와 퀴어 생태정치
A Dismantling of Naturalness and Queer Ecopolitics in Shani Mootoo’s Cereus Blooms at Night

첫 페이지 보기
  • 발행기관
    21세기영어영문학회 바로가기
  • 간행물
    영어영문학21 KCI 등재 바로가기
  • 통권
    제38권 3호 (2025.09)바로가기
  • 페이지
    pp.103-129
  • 저자
    이현주
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A473572

원문정보

초록

한국어
This article reads Shani Mootoo’s Cereus Blooms at Night as a dismantling of “naturalness” as a colonial technology and as a proposal for queer ecopolitics grounded in sensory practice. Set on the fictional island of Lantanacamara—an allegory patterned on Lantana camara, beautiful yet toxic—the novel exposes how the rhetoric of purity, hygiene, and separation underwrites racialized and gendered hierarchies in the home, church, and poorhouse. Through close readings informed by queer theory and postcolonial/ecological thought, the article argues that the text shifts ethical authority from definition to attunement and from doctrine to care. Tyler’s confessional narration reframes testimony through haptic perception: breath, tremor, odor, and mimicked birdsong function as a nonverbal archive that translates Mala’s trauma into a communal language. Repeating the gestures through which violence is ordinarily enacted, Tyler reverses their performativity so that “touch” becomes a technique of care rather than domination. Otoh’s in-between embodiment extends this reorientation from bedside care to kin-making, replacing heteronormative, reproductive futurity with a relational circuitry sustained by visits, cooking, repair, and slow accompaniment. At their intersection stands Mala’s garden, a multispecies commons where non-intervention takes the form of active hosting— yielding space, waiting, and ritual disposal of the dead—thus converting waste into nutrients and ownership into shared use. The night-blooming cereus condenses this politics into time: it privileges episodic nocturnal emergence over linear daylight chronology, modeling how memory returns through smell, touch, and sound rather than legal narrative. Bringing together Butlerian performativity with Haraway’s “making kin” and sympoiesis, the essay names these practices queer attunement: a micro-politics that unlearns colonial “naturalness” by rerouting perception and relation across human and more-than-human lives. In Mootoo’s novel, healing is not cure but technique— repeating small acts of listening, yielding, and tending that recompose community after violence.

목차

Ⅰ. 들어가는 말
Ⅱ. 자연스러움의 정치학: 찬딘의 내면화된 식민성
Ⅲ. 퀴어적 감응의 정치학: 말라의 다종공생 정원
Ⅳ. 나가는 말
인용문헌
Abstract

키워드

Shani Mootoo Cereus Blooms at Night naturalness coloniality queer ecopolitics haptic perception multispecies commons performativity kin-making

저자

  • 이현주 [ Hyunju Lee | 광주대학교 부교수 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    21세기영어영문학회 [The 21st Century Association of English Language and Literature]
  • 설립연도
    1967
  • 분야
    인문학>영어와문학
  • 소개
    영어영문학과 관련된 학술지의 발간, 학술발표회의 개최 및 강좌 개설, 영어영문학 관련 도서 및 자료의 출판, 해외 학술교류 등의 학술연구활동을 수행할 목적으로 설립되었다.

간행물

  • 간행물명
    영어영문학21 [English21]
  • 간기
    계간
  • pISSN
    1738-4052
  • 수록기간
    1967~2025
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 840 DDC 820

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