This study examines how Churchill’s Cloud Nine dismantles the traditional heroic narrative and reimagines it through the framework of the collective narrative. Drawing on narrative theory, feminist criticism, and Denborough’s collective narrative practice, the analysis situates Churchill’s play within a broader critique of patriarchal storytelling. Act I reconstructs the hero’s journey through Clive and the codes of imperial adventure, while Act II disperses agency across multiple characters in a polyphonic structure. Key scenes demonstrate this transformation: the ritual offering to the goddess replaces individual pursuit with shared ceremony; Betty’s act of bodily self-acceptance grounds communal recognition in personal autonomy; and the purchase of a communal household institutionalizes collective life beyond patriarchal order. Together, these moments exemplify how Cloud Nine enacts the emergence of collective narrative. The study argues that Churchill’s dramaturgy not only disrupts the linearity and closure of heroic form but also experiments with “unnatural narratives” that privilege multiplicity and co-authorship. By emphasizing relationality over mastery, Cloud Nine offers a feminist alternative and redefines narrative as a practice of plurality, vulnerability, and shared transformation.
목차
I. Introduction II. Theoretical Framework: From the Heroic Discourse to the Collective Narrative III. Cloud Nine Act I: Reenacting and Undermining the Heroic Narrative IV. Cloud Nine Act II: Constructing a Collective Narrative V. Conclusion: Rethinking Narrative through the Collective Works Cited Abstract
한국중앙영어영문학회 [The Jungang English Language And Literature Association Of Korea]
설립연도
1968
분야
인문학>영어와문학
소개
본 학회는 영미어문학의 학술연구와 이에 부합하는 아래의 사업을 기획 수행하며,
또한 회원 상호간의 친목을 도모함을 목적으로 한다.
1. 학회지 발간
2. 연구 발표회, 강연회, 공동연구
3. 영미어문학 관련 도서출판
4. 영미어문학 관계 도서 및 자료의 모집 및 비치
5. 기타 본회의 목적 달성에 필요한 사업
간행물
간행물명
영어영문학연구 [The Jungang Journal of English Language and Literature]