This article examines how the Korean writer Paek Ch’ŏl translated and adapted Michael Gold’s American proletarian poem “120 Million” into Korean using the sprechchor (speaking chorus) genre, which originated in Germany and entered Korean literary circles via Japanese leftists. Focusing on the early 1930s, it explores how Paek anchored his literary practice in the materialist dialectic and how his stage adaptation enhances our understanding of that dialectic as manifested in Gold’s poetry. The analysis shows that the communist aesthetic championed by Gold and Paek strives not to forgo any aspect of the world, seeking to replace a bourgeois ersatz totality with a Marxian bona fide one. Since Marxism, understood as a living philosophy, hinges on grasping transformation and process, its aesthetic centers on praxis attuned to the emergent forces that disrupt hegemonic formations. It aims to overcome the alienation of individuals from their labor, their communities, and the elements of their being—ultimately reclaiming economic, political, cultural, and communal dimensions to which humanity is entitled. Although proletarian aesthetics in colonial Korea were largely shaped by Russian, German, and Japanese thinkers, Paek uniquely positioned Gold’s poetry as a model of materialist dialectics and a corrective to the artistic impasse facing Korean writers. By theatrically rendering this dialectic through American verse—a relatively obscure current in world Communist literature—Paek sought to awaken his audience at the intersection of colonial rule, the Great Depression, and the global resurgence of Marxist thought.
목차
Abstract Introduction The Appeal of the Original “120 Million” The Materialist Dialectic The Milieu of 1930s Communist Theatre: Korea and Beyond Theatre Adaptation of Poetic Recitation Conclusion References
한국연구원은 1970년 5월 한국 민속의 각 분야에 걸친 자료의 수집과 학술적 연구를 목적으로 '한국민속연구소'로 출발하였다. 그 후 1973년 5월 연구 분야를 확대하며 민속뿐만 아니라 한국학 전반에 걸친 연구를 위해 '한국학연구소'로 개편하였고, 다시 1989년 3월 한국의 국제적 위상의 부상과 함께 한국학 연구의 중요성이 높아짐에 따라 '한국학연구원'으로 확대, 개편하였다. 한국학연구원은 한국학 전반에 걸친 연구를 통해 지역과 민족문화 발전에 기여하며 한국학의 세계화를 위해서 학술활동을 강화하고 나아가 내·외국인에 대한 한국문화 교육을 담당하고자 한다.