淨土敎의 文化와 巫俗의 日ㆍ韓 比較 - 『觀無量壽經』과 「二河白道」의 도상학(圖像學) -
Jodokyou(淨土敎) culture and Shamanism : Comparing Korea and Japan- Kanmuryojukyo(觀無量壽經) and the Iconography of the Niga Byakudo(二河白道) - 정토교의 문화와 무속의 일ㆍ한 비교 - 『관무량수경』과 「이하백도」의 도상학 -
The purpose of the present paper is to compare an aspect of Jodokyou(淨土敎) culture between Japan and Korea. To this end, I have undertaken to show the rerationship between the legend of Queen Idaike found in the “Kanmuryojukyo(觀無量壽經)” and the story of “Niga Byakudo(二河白道)” as expounded in the “Kanmuryojukyosho(觀無量壽經疏)” of Zendo of Tang China. With regard to the story of Queen Idaike(韋提希), both the seated figure of a woman carved of stone in the Gesseji(月精寺) temple of Korea and a seated figuer found in the ruins of Shinpukuji(神福寺) temple were both modeled on Queen Idaike(韋提希). It is further thought that these stone carvings were meant to represent the Jodokyou(淨土敎) belief in Amidabutsu(阿彌陀佛) in Korea. In Japan, the story of princess Chujo(中將) was a well-known adaptation of the Queen Idaike(韋提希) legend. The essence of the story is seen in Scenes of Paradise scroll, known as the Taima Mandara(當麻曼茶羅). Princess Chujo(中將) received the Taima Mandara(當麻曼茶羅) from the incarnated Amidabutsu(阿彌陀佛) and Kannon Bosatus(觀音菩薩). She was able to enter Paradise while praying as she viewed the painting. The Taimadera(當麻寺) temple “Mukaeko(迎講)” is a popular festival in which the ascenscion of the princess into Paradise is staged. Regarding the “Niga Byakudo(二河白道)” large numbers of copise of the painting of the same name were made and distributed in Japan from the 13th century. Further, the story of the “Niga Byakudo” was widely incorporated into dreams and buddhist festivals during the early and late middle ages, among which the Mukaeko(迎講) continues to be performed. In some festivals for the dead, white cloth is used, whith is considered a legacy of the “Niga Byakudo” story. No art work comparable to the “Niga Byakudo” survives in Korea, nor in China for that matter. However, elements of the “Niga Byakudo” are strongly incorporated in the shamanistic spirit festivals. More concretely, white cloth is used in the ceremony. The ceremony in which the shaman tears white cloth to send to the departed souls of the dead is a reenactment of the story of the “Niga Byakudo”. There is also a ceremony in which vessels called “yongseun(龍船)” are laid on white cloth, and the souls of the departed ride the vessels over to the world of death. This seems very much like the “Daihatsu Nirvana Sutra” from which the story of “Niga Byakudo” is taken. In addition, I have presented several other iconographic example in this paper.
목차
Ⅰ. 서 론 Ⅱ. 韋提希 설화~한국 월정사 석불과 일본의 中將姬 Ⅲ. 「二河白道」와 日韓 사령제(死靈祭) 巫俗
동아시아고대학회 [The Association Of East Asian Ancient Studies]
설립연도
1999
분야
인문학>기타인문학
소개
본 학회는 동아시아권역의 고대의 역사와 문화, 언어와 문학, 종교와 철학, 민속과 사회, 고고학 등에 관한 고대학 관련분야의 학문을 학제적 국제적인 협력과 유대를 통해 연구의 가능성을 확대하고, 연구의 질을 향상시키며, 동아시아에 있어서의 학문발전과 문화교류 및 학자, 연구자, 회원 상호간의 유대와 국제적 친선을 도모할 목적으로 설립되었다. 이를 위하여 본 학회는 동아시아고대학에 관한 연구발표회, 학술강연회, 강독회, 학술답사, 도서출판, 학회지 발행 등의 사업을 기획하여 집행한다.
간행물
간행물명
동아시아고대학 [DONG ASIA KODAEHAK ; The East Asian Ancient Studies]