Earticle

초록

영어

Chinese wind-and-percussion music, also known as Chuida, is a rich form of music culture in China. It encompasses a wide range of band combinations, music pieces, theories, and playing occasions, all of which reflect the values of Chinese traditional instrumental music, serving not only as a unique music form but also as a means to explore its cultural meanings. This article introduces firstly four selected representative genres of traditional wind-and-percussion music to discuss the values of the music, two of which are Guchui (Wind-and-drum, a variant type of Chuida) music, one using Guanzi pipe as the leading instrument, and another suona. The other two belong to the wind-and-percussion music but vary in locations, orchestrations, music forms, and cultural values. The second part of the article introduces the gongche notation system and the Jiezi theory that are mainly used in the wind-and-percussion music. The third part analyzes the social attributes of the music and the impact of current social changes on the music.

목차

Abstract
Introduction
Four Dominant Genres
Mouth Organ-and-Pipe “Shengguan” Music of Central Hebei
Wind-and-Drum “Guchui” Music of Southwest Shandong
Ten Variations with Drum Solos “Shifan Gu”
Xi’an Drum Music “Xi’an Guyue”
Theoretical Elements of Wind-and-Percussion Music
Gongche Notation and Its Interpretations
Jiezi 借字 (Borrowing Pitches) and Variations
Social Contexts of Wind-and-Percussion Ensembles
Wind-and-Percussion Music in the Social Aggregations of Villages
Social Change and the Context of Music Groups
Conclusion
Glossary
References

키워드

저자

• Zhang Boyu [ This paper is edited and proofread by Ching-Wah Lam. ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  Asian Musicology

• 간기

  연간

• pISSN

  1229-9413

• 수록기간

  2002~2024

• 십진분류

  KDC 670 DDC 780