Earticle

초록

영어

This talk identifies prospects for Chinese music studies in the contemporary era as we collectively develop a multi-disciplinary future that is academically valuable, incisive, and inclusive of researchers from contrasting linguistic, societal, and intellectual backgrounds. I present a view of Chinese music studies as a meeting point for scholars who represent positions and perspectives that are inherently “in-between” (between disciplines; between research consultants and readerships; mediating historical, cultural, or linguistic gulfs; etc.), sometimes multiply so. This suggests an explicitly “messy” reality, in which we actively build bridges through cooperation, cross-reading, translation, and consultation. In such a situation, we need to shift continuously from phases of more individual enquiry toward moments of shared focus and back again, sustaining common points-of-reference and the benefits of flexible and diverse responses to newly arising or newly rediscovered concerns. I outline selected concrete steps that we might take in strengthening our “in-betweenness,” which significantly includes greater translation from Chinese to English (and other languages), and I offer a rationale for providing enhanced attention to co-research and co-authoring as ways of producing engaged music research alongside members of musical communities for global readerships.

목차

Abstract
Introduction: “Chinese Music Studies”
The Core and “In-Between”
The Core
In-Between
Engaged Research: Toward a Conclusion
References

키워드

저자

• Jonathan P. J. Stock [ University College Cork, National University of Ireland. ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  Asian Musicology

• 간기

  연간

• pISSN

  1229-9413

• 수록기간

  2002~2024

• 십진분류

  KDC 670 DDC 780