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동북아 왕조 국가의 黻紋 활용과 현대적 변용
The utilization of the Bul or Bow pattern(?紋) of the Northeast Asian dynasties and modern transformation

첫 페이지 보기
  • 발행기관
    동북아시아문화학회 바로가기
  • 간행물
    동북아 문화연구 KCI 등재 바로가기
  • 통권
    제81집 (2024.12)바로가기
  • 페이지
    pp.59-82
  • 저자
    박장배
  • 언어
    한국어(KOR)
  • DOI
    https://doi.org/10.17949/jneac.1.81.202412.004
  • URL
    https://www.earticle.net/Article/A461681

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원문정보

초록

한국어
The system of Myeonbok (the ritual costume of emperors and kings), centered on the twelve insignia pattern, is usually understood to have been institutionalized during the Later Han period. The twelve insignia pattern can usually be divided into celestial beings, beings that mediate heaven and earth, and beings that support or constitute terrestrial civilization. Elements related to terrestrial civilization are bronze bowls, water plants, flames, rice grains, axes, and bow patterns. Among the twelve insignia pattern, the bow pattern seems to be less related to specific objects. The twelve insignia pattern has been steadily refined and standardized since institutionalization. Ancient and medieval Korea maintained its participation in the international community in East Asia by receiving and actively utilizing Myeonbok from the empire that occupied mainland China. However, in the mid-to-late Joseon Dynasty, the system of Myeonbok also went through the process of mainlandization and abolished the system of Myeonbok in the Qing Empire, so the self-made Myeonbok in Joseon was further utilized. During the establishment of the Korean Empire, the monarch of Joseon declared an empire and adopted the emperor's robes called the court dress of the twelve insignia(Shibijangbok). The national movement's the National Flower(Mugunghwa), National flag(Taegeukgi), the religious flag(Gungeulgi) of Cheondogyo, and the Dong-A Ilbo's Emblem are considered symbols that reveal long-term independence and modernization. When the days of hardship were gone and the era of construction has come, various countries in Northeast Asia showed different modernization strategies. Although there were differences in degree and timing in each country, all of them opened their eyes to the discovery and rediscovery of the value of traditions, and the modern use of traditional culture. Among them, Korea re-recognized the value of traditional culture and showed a leading interest in the modern use of traditional culture. The Northeast Asian History Foundation was established in 2006 as a specialized institution dealing with historical issues. The emblem of the Northeast Asian History Foundation is the shape of the character 亞(A) pattern or the bow pattern and can be called the ‘Northeast Asian pattern’.

저자

  • 박장배

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    동북아시아문화학회 [The Association of North-east Asian Cultures]
  • 설립연도
    2000
  • 분야
    복합학>학제간연구
  • 소개
    동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.

간행물

  • 간행물명
    동북아 문화연구 [Journal of North-east Asian Cultures]
  • 간기
    계간
  • pISSN
    1598-3692
  • 수록기간
    2001~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 910 DDC 950

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