Earticle

초록

영어

This study examines the rarity of surviving original mounts of traditional Korean paintings and the challenges posed by remounting such works in Chinese or Japanese styles, which often detract from the authentic form of the works. This paper compares two paintings of Yi Jeong (1554–1626) to assess the use and significance of colophons and their role in enhancing scholarly appreciation. The investigation reveals how the refined materials and style used in these mounts reflect the aristocratic origins of Yi Jeong and the high regard his art received during the Joseon dynasty. Furthermore, I will examine historical connections between Yi Jeong’s works and the broader context of Korean literati culture, emphasizing the importance of these works as aesthetic objects and rich cultural artifacts. The findings of this research deepen the understanding of Korean traditional paintings, underscoring the necessity of preserving their authentic mounting styles to honor their historical significance.

목차

ABSTRACT
1. INTRODUCTION
2. CULTURAL AND HISTORICAL CONTEXTS
2.1. Concept of “Paintings for Connoisseurs”
2.2. Significance of the Four Noble Plants
2.3. Yi Jeong: A Master Bamboo Painter
3. COMPARATIVE ANALYSIS: METROPOLITAN MUSEUM VS. GUIMET MUSEUM
3.1. Examination of the Scroll at The Metropolitan Museum
3.2. Insights from the Scroll at the Guimet Museum
4. VIRTUAL RECONSTRUCTION AND QUESTIONS
4.1. Virtual Reconstruction of the Scroll
4.2. Unresolved Questions and Further Research Directions
5. CONCLUSION
ACKNOWLEDGMENTS
REFERENCES

키워드

저자

• Meejung Kim-Marandet [ Former Conservator of Korean Paintings at the British Museum ] Corresponding Author

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  보존과학회지 [Journal of Conservation Science]

• 간기

  연5회

• pISSN

  1225-5459

• eISSN

  2287-9781

• 수록기간

  2003~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 602 DDC 700