This paper analyzes the morality play elements in The Good Place, examining how these elements gain contemporary relevance through philosophical frameworks and the sitcom format. Instead of a single “Everyman” representing humanity, it presents four diverse main characters, reflecting a modern, multifaceted view of human nature. The show addresses moral conflict through a clear good-evil dichotomy, illustrating how ethical growth occurs through genuine relationships and community. Eleanor learns to choose “good” through her moral struggles, underscoring the importance of interpersonal connections in ethical decision-making. It uses philosophy to show the importance of relationships while replacing medieval morality plays’ religious beliefs with a modern moral allegory. While departing from medieval salvation via a supreme deity, The Good Place emphasizes redemption through efforts for each other, suggesting that being a “good” person relies on helping others develop morally. It incorporates T. M. Scanlon’s contractualism and Aristotle’s virtue ethics to portray the pursuit of goodness as both challenging and deeply rewarding. By prompting reflection on moral complexities and personal responsibility in modern society, The Good Place serves as a meaningful cultural commentary on morality today.
목차
I. 들어가며 II. <더 굿 플레이스> 속 도덕극 III. <더 굿 플레이스> 속 윤리학 IV. 나가며 Works Cited Abstract
키워드
<더 굿 플레이스>도덕극『만인』윤리학시트콤The Good Placemorality playsEverymanethicssitcom
한국중앙영어영문학회 [The Jungang English Language And Literature Association Of Korea]
설립연도
1968
분야
인문학>영어와문학
소개
본 학회는 영미어문학의 학술연구와 이에 부합하는 아래의 사업을 기획 수행하며,
또한 회원 상호간의 친목을 도모함을 목적으로 한다.
1. 학회지 발간
2. 연구 발표회, 강연회, 공동연구
3. 영미어문학 관련 도서출판
4. 영미어문학 관계 도서 및 자료의 모집 및 비치
5. 기타 본회의 목적 달성에 필요한 사업
간행물
간행물명
영어영문학연구 [The Jungang Journal of English Language and Literature]