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Female Painters in the Early Qing Dynasty Art Context——Taking Chen Shu as an Example

첫 페이지 보기
  • 발행기관
    국제인공지능학회(구 한국인터넷방송통신학회) 바로가기
  • 간행물
    International Journal of Internet, Broadcasting and Communication 바로가기
  • 통권
    Vol.16 No.4 (2024.12)바로가기
  • 페이지
    pp.337-345
  • 저자
    Fu Changhua
  • 언어
    영어(ENG)
  • URL
    https://www.earticle.net/Article/A459088

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원문정보

초록

영어
In the context of art and society in the early Qing Dynasty, Chen Shu was known foremost as a morally upright woman. She was regarded as a model of virtue, being both a good wife and a caring mother, who effectively utilized her own talents and strengths. In this era, women’s worth was largely determined by standards set by men, and this also extended to artistic fields. Female artists’ expressions were often suppressed or made to conform to particular ideals, with femininity in art being described dismissively using phrases like “fat-free habits,” “womanhood,” and “popularity,” aiming to diminish any uniqueness in their style. In the case of Chen Shu, however, she transcended these restrictions. Her talent and achievements in painting were not constrained to a single genre. She made notable contributions in multiple areas, including flowers and birds, human figures, and landscapes, distinguishing her from other female artists of her time who often specialized narrowly. Unlike many of her contemporaries, Chen Shu achieved a high level of artistic accomplishment that earned her recognition not only as a skilled painter but also as an innovator. Even when evaluated through the strict lens of the traditional social norms of her time, Chen Shu stands out as a remarkable painter whose skills and contributions go beyond her gender. Her work embodies a rare depth and artistic quality, making her worthy of study and admiration by modern scholars. We can see her contributions not just as an inspiration within the context of female achievements, but as invaluable to our broader understanding of Qing Dynasty art and society as a whole..

목차

Abstract
1. INTRODUCTION
2. EVALUATION OF PAINTING IN THE CONTEXT OF ART PRODUCTION
3. CHOICE OF SUBJECTS IN THE CONTEXT OF WORKS AND LITERARY PAINTING STYLE
4. CONCLUSIONS
REFERENCES

저자

  • Fu Changhua [ Ph.D. program, Dept. of Global Fine Art, Kyonggi Univ., Korea. ] Corresponding Author

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    국제인공지능학회(구 한국인터넷방송통신학회) [The International Association for Artificial Intelligence]
  • 설립연도
    2000
  • 분야
    공학>전자/정보통신공학
  • 소개
    인터넷방송, 인터넷 TV , 방송 통신 네트워크 및 관련 분야에 대한 국내는 물론 국제적인 학술, 기술의 진흥발전에 공헌하고 지식 정보화 사회에 기여하고자 한다.

간행물

  • 간행물명
    International Journal of Internet, Broadcasting and Communication
  • 간기
    계간
  • pISSN
    2288-4920
  • eISSN
    2288-4939
  • 수록기간
    2009~2025
  • 십진분류
    KDC 326 DDC 380

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