Earticle

초록

영어

This paper is a structural analysis of the mysteriousness of ‘Nageki no mon’. This work has a pattern of repeating the exercise of first presenting a ‘mystery’ to attract the reader’s interest and then solving that ‘mystery’, but between the presentation of the mystery and the solving of the mystery, the story is developed in a way that it is ‘drawn out’ for as long as possible. The reader is thus left with the story being stretched out without being told how to resolve the interest in the ‘mystery’. The effect of this is that the mystery is enhanced by the fact that the reader is left with a sense of dread after the mystery has been presented, without being told how to solve it.By the way, such a technique was used not only by Tanizaki Junichiro, but also by Sato Haruo ‘Shimon’ and Akutagawa Ryunosuke ‘Yoba’ around 1918 or 1919. However, the characteristic of ‘Shimon’ is that it gradually becomes a fantasy novel in which the distinction between the reality and delusion of the protagonist is blurred as the story is stretched out. In the case of ‘Yoba’, the story is developed by stretching it out with bizarre episodes, thereby providing it with the characteristics of a bizarre novel. In contrast, Tanizaki Junichiro’s ‘Nageki no mon’ is characterised in that, while stretching the story, it weaves the images of ‘ruin’ and ‘decadence’ associated with the title ‘Grief’s Gate’ into the story like a ‘縁語’. The three leading figures in the world of mystery fiction of the Taisho period drew their works at the same time and in a similar manner, indicating a relationship of mutual influence.

목차

1. はじめに
2. 作品分析
2.1 作品構造概観
2.2 話の引き延ばし
2.3 ｢追いかけっこ｣の構造
3. 同時代との関連
3.1 佐藤春夫｢指紋｣
3.2 芥川龍之介｢妖婆｣
4. むすびにかえて
【参考文献】

키워드

저자

• 早澤正人 [ Hayasawa, Masato | 仁川大学校 日語教育科 副教授 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  일본언어문화 [Journal of japanese Language and Culture]

• 간기

  계간

• pISSN

  1598-9585

• 수록기간

  2002~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 730 DDC 495