Earticle

초록

영어

This study examines rebellious role of ekphrasis poems of Tate Britain on Google Arts and Culture. Tate Britain online museum exhibits John Hegley’s two ekphrasis poems representing C.R.W Nevinson’s Arrival and Soul of Soulless City. Traditionally, Nevinson’s two paintings have been analyzed through the lenses of Modernism and Futurism, with an emphasis on simultaneity divorced from historicity. Hegley’s two ekphrasis poems discover personal stories from three small persons painted in Arrival and give them a prosopopoeia voice. This voice speaks personal history, which has been silenced under the grand vision of Futurism and makes the text uninterpreted by using both languages English and French and multiple perspectives. In the poem of Soul of Soulless City, the prosopopoeia voice also mocks Futurism by evoking nostalgia and undermining the seriousness of Modernism. The principles of the ‘father’ that Futurism once sought to uphold are undermined by the nostalgic lament of the ‘mother.’ Likewise, the seriousness that Modernism embraced as poetic beauty is shattered by the comical backdrop of light-hearted music of the poem. With Hegley’s two ekphrasis poems, Nevinson’s two paintings in the online museum are re-created as new texts that resist Futurism.

목차

I. 들어가며
II. 네빈손의 미래주의와 헤글리의 시
III. 나아가며
Works Cited
Abstract

키워드

저자

• 김혜연 [ Kim, Hae Yeon | 국립순천대학교 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  영어영문학연구 [The Jungang Journal of English Language and Literature]

• 간기

  계간

• pISSN

  1598-3293

• 수록기간

  1968~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 840 DDC 810