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Pema Tseden’s Cinematic Techniques : Analyzing Ethnic Representation in “Tharlo”

첫 페이지 보기
  • 발행기관
    국제인공지능학회(구 한국인터넷방송통신학회) 바로가기
  • 간행물
    The International Journal of Advanced Smart Convergence 바로가기
  • 통권
    Volume 13 Number 2 (2024.06)바로가기
  • 페이지
    pp.172-186
  • 저자
    Wang Yipu, Hong-Sik Pak
  • 언어
    영어(ENG)
  • URL
    https://www.earticle.net/Article/A452341

※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.

원문정보

초록

영어
With the globalization of the film industry, ethnic minority films have been developed and studied by many scholars for their special ethnic representation. The film “Tharlo” directed by Pema Tseden carefully explores the identity anxiety of a Tibetan shepherd. Through the connection and separation between the protagonist and traditional culture, it shows a complexity of modern ethnic identity for minority people. This study explores what kind of cinematic techniques and symbolic elements the director uses to shape ordinary characters, build a narrative space, and show ethnic representation. This paper puts forward a theoretical framework combining cinematic quantitative methods with qualitative narrative and semiotic analysis, aiming to deepen our understanding of cinematic techniques and ethnic representation, and provides a new perspective and profound insights for discussing the complexity faced by ethnic minorities in contemporary films. This study finds that Tseden’s “Tharlo” successfully portrays the complex transformation of Tibetan cultural identity in the context of globalization and modernization through cinematic techniques such as fixed camera positions, long take and black-and-white cinematography, combined with the use of symbolic elements like mirrors, lambs and identity cards.

목차

Abstract
1. Introduction
1.1 Research Background and Content
1.2 Research Design
2. Related Works
2.1 Ethnic Representation
2.2 Application of Cinemetrics in Film Studies
3. The Narrative Strategies and Ethnic Representation of “Tharlo”
3.1 Visual Narrative and Tibetan Ethnic Representation
4. Symbolic Representation in “Tharlo”
4.1 Mirror Imagery and Identity Narrative
4.2 Cultural Metaphors and Ethnic Representation
5. Conclusion
5.1 Summary of Findings
5.2 Study Limitations and Recommendations of the Future Research
Acknowledgement
References

키워드

Tharlo Ethnic Representation Film Narrative Cinemetrics

저자

  • Wang Yipu [ Ph.D. candidate, Department of Visual Contents, Dongseo University, Korea ]
  • Hong-Sik Pak [ Professor, Department of Visual Contents, Dongseo University, Korea ] Corresponding Author

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    국제인공지능학회(구 한국인터넷방송통신학회) [The International Association for Artificial Intelligence]
  • 설립연도
    2000
  • 분야
    공학>전자/정보통신공학
  • 소개
    인터넷방송, 인터넷 TV , 방송 통신 네트워크 및 관련 분야에 대한 국내는 물론 국제적인 학술, 기술의 진흥발전에 공헌하고 지식 정보화 사회에 기여하고자 한다.

간행물

  • 간행물명
    The International Journal of Advanced Smart Convergence
  • 간기
    계간
  • pISSN
    2288-2847
  • eISSN
    2288-2855
  • 수록기간
    2012~2025
  • 십진분류
    KDC 326 DDC 380

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