Earticle

초록

영어

Nowadays, in the cultural tourism industry in China, live-action performances have become a new favorite and are highly supported and sought after by tourists. In 2009, "Tianmen Fox Fairy" emerged and used the narrative and performance techniques of musicals to seamlessly blend the natural landscapes, folk customs, and Hunan culture of Zhangjiajie, bringing a unique feast to the audience. At the same time, through stage design and elements such as music and sound effects, it creates a strong sense of modernity and integrates traditional Chinese opera with Western drama in form. Large-scale mountain and canyon live-action musicals have been performed over a thousand times since their official launch in 2009. With its unique form and content, it has become very popular among tourists visiting Zhangjiajie and has become a must-have project for major travel agencies, winning praises from many experts, scholars, and the general audience. The play shares many similarities with the "Impression Liu Sanjie" directed by Mei Shuaiyuan, as they are both live-action performances set against the backdrop of mountains and rivers and employ a large number of local actors and actresses. This perfect combination of tourism and culture in Zhangjiajie has achieved the goal of perfectly blending the tourism industry and culture in the area. There are statistics showing that since the launch of "Tianmen Fox Fairy," the number of tourists visiting Zhangjiajie and the economic benefits generated from their spending have continued to increase. For the cultural and tourism industry in Zhangjiajie, "Tianmen Fox Fairy" has enriched the cultural and tourism connotations, enhanced the sensory experience for tourists, played a marketing function, and stimulated the improvement of the consumption level of the tourism city and surrounding areas.

중국어

如今，在中国文化旅游行业当中，实景演出是一个新宠，也是受到旅游者的支持 以及追捧的对象。2009年，《天门狐仙》横空出世，运用音乐剧的叙事方式和表现手 段，将张家界的自然山水、民俗风情与湖湘文化深入、和谐地融合在一起，给观众带 来了别具一格的盛宴。同时通过舞台布景和音乐音响等元素，使其具有强烈的时代 感，并在形式上将传统戏曲与西方戏剧融合起来。 大型高山峡谷实景音乐剧等，从2009年正式启动至今，已演出千余台。它以其特 有的形式和内容让前往张家界游玩的旅客十分喜爱，也成为各大旅行社必备的项目之 一，成为同时也赢得了众多专家学者及广大观众的赞誉。该剧与梅帅元共同参与导演 《印象·刘三姐》有着许多共同之处，同为山水实景演出，也采用了大量当地人作为 演职人员，使张家界的旅游产业和文化得到完美的结合。达到张家界旅游产业与文化 完美融合的目的。 据数据统计，自《天门狐仙》开演以来，张家界的旅游数量和消费带来的经济收 益在不断的增加。对于张家界文化旅游产业而言，《天门狐仙》产生了丰富文化旅游 的内涵、丰富游客的感官体验、发挥营销功能、刺激旅游城市及周边地区消费水平的 提高的影响。

목차

中文摘要
Ⅰ. 绪论
1. 研究目的
2. 研究方向
3. 文献综述
Ⅱ. 中国实景演出
1. 实景演出的概念定义
2. 实景音乐剧与文化旅游之间的关系
Ⅲ. 实景音乐剧《天门狐仙》介绍
Ⅳ.《天门狐仙》对文化旅游产业发展的影响
1. 丰富文化旅游内涵
2. 丰富游客感官体验
3. 发挥营销功能
4. 提升旅游城市消费水平
Ⅴ. 《天门狐仙》与文化旅游产业融合发展策略
1. 打造音乐品牌
2. 加强发展制度的管理
3. 建立地方发展机制
Ⅵ.《天门狐仙》和《印象》系列
1. 以《印象刘三姐》为例对比
2.《天门狐仙》吸引游客的原因
Ⅶ. 局限及建议
Ⅷ. 结论
参考文献
Abstract

키워드

저자

• 장신이 [ Zhang, Xinyi | 국립안동대학교 문화산업연구소 연구원 ] 주저자
• 장혜원 [ Jang, Hyewon | 국립안동대학교 융합콘텐츠학과 교수 ] 교신저자

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  지역과 문화 [Journal of Region & Culture]

• 간기

  계간

• pISSN

  2508-6464

• 수록기간

  2014~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 911 DDC 951