Earticle

초록

영어

This paper focuses on essay comics created by those who were affected by the Great East Japan Earthquake, known as “3/11”, and aims to clarify how the comic artists represented their experiences of “3/11”. First, the artists actively described their experiences in the form of essay comics, which played a journalistic role and represented a reality of an affected area and a victim’s individual experience that mass media did not report on. The essay comics have a tendency to depict the disaster victims in a cartoon style. This mode of description makes readers feel a sense of intimacy with them, but at the same time, it also has the possibility of reducing the uniqueness of a victim’s experience. Furthermore, for the authors who experienced “3/11”, the disaster not only destroyed their daily life, but likewise became a comic subject that attracted an great deal of social attention, giving them an opportunity for self-realization as an artist. Considering this finding, this paper insists that essay comics on “3/11” can be regarded as a site where ambivalent elements intertwine, such as cartoon and documentation, individuality and generality, citizen media and culture industry, and transmission to and recognition from others.

목차

1. はじめに
2. ｢3.11｣に関するマンガの潮流と先行研究の整理
3. エッセイマンガとジャーナリズム機能
4. エッセイマンガの両義的作用
5. 伝達と自己実現の狭間で
6. おわりに
参考文献
図版一覧

키워드

저자

• 杉本章吾 [ Sugimoto, Shogo | 高麗大学校 日語日文学科 副教授, 日本大衆文化研究 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  일본언어문화 [Journal of japanese Language and Culture]

• 간기

  계간

• pISSN

  1598-9585

• 수록기간

  2002~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 730 DDC 495